Friends of Bygone – Soup Can Theatre

Our friends at Soup Can Theatre have graciously donated a pair of tickets to their upcoming production of Circle Jerk for the raffle portion of our upcoming Retro Radio Hour – Suspense! Check out the show deets below:

Soup Can Theatre, Safeword, and Aim for the Tangent Theatre are proud to present
CIRCLE JERK
one production, four new and provocative short plays written under unique constraints (full details below).
‘Dust Peddling: Part II’ by Scott Dermody,
‘Sex and This’ by Wesley J. Colford,
‘Maypole Rose’ by Brandon Crone, and
‘The Session’ by Justin Haigh.
Also featuring live original music by Pratik Gandhi, Marla Kishimoto, and Peter Cavell.

***AUDIENCE WARNING: Mature Content, Nudity, Explicit Sexuality, Depictions of Drug Use***

Tickets: $15 to $24. Available at www.soupcantheatre.com or in person at the venue box office starting one hour before each performance.

November 6 & 7 at 8pm, November 8 & 9 at 2pm and 8pm, November 14, 15, 16 at 8pm, November 21, 22, 23 at 8pm

WIN TICKETS! Want a chance to win a pair of tickets to our opening weekend? It’s easy! Just tweet about the show using the hashtag #CircleJerkTO or share our Facebook Event on your timeline! Double your chances by doing both! We will track the tweets and shares and contact the winners in early November. Plus, check out Bygone Theatre’s Retro Radio Hour – Suspense! for a chance to win a pair of tickets in their raffle.

WWW.SOUPCANTHEATRE.COM


This past summer, members of the public were invited to submit original snippets of dialogue that the participating playwrights would have to use as the opening and closing lines of their new creations. After receiving almost 300 submissions, four intriguing lines were selected and assigned to the writers:

“Subtlety is not your specialty.”
“What’s Bulgarian for slut?”
“I think it’s time we talked about your filthy rituals.”
“I fucking hate potatoes.”

As an added twist, each of the lines of dialogue were assigned to two playwrights in order to serve as both the closing line of one play and the opening line of the following play. This loosely interconnected and ultimately cyclical structure (with the first play starting and the last play ending with the same line) puts the “circle” in CIRCLE JERK. After an intense writing and production period, the end results are four diverse yet cohesive works backed by an impressive roster of talent:

– ‘Dust Peddling: Part II’ by Scott Dermody; A bold and confrontational movement-based piece exploring themes of sexuality and bodily interactions. Directed by Joanne Williams (‘Wild Dogs On The Moscow Trains’) and starring Scott Dermody (‘Love is a Poverty You Can Sell 2’, Soup Can Theatre) and Sasha Kovacs.

– ‘Sex and This’ by Wesley J. Colford (‘The Wakowski Bros.’, Aim for the Tangent); A touching and distinctly modern comedy-drama about death, self-destruction, and the new rules of mourning in the age of Facebook. Directed by two time Dora Award nominee Jakob Ehman (‘Cockfight’, Theatre Brouhaha; ‘Donors’, safeword) and starring Tiffany Deobald (‘Much Ado About Nothing’, Single Thread Theatre) and Carys Lewis.

– ‘Maypole Rose’ by Brandon Crone (‘Donors’, safeword); A quirky and salacious window into the imperfect life of a gay couple with an affinity for junk food, weed, and monkey sex. Starring Alexander Plouffe (‘As You Like It’; Canadian Stage) and G Kyle Shields (‘Sucker’; Theatre Brouhaha).

– ‘The Session’ by Justin Haigh (‘Love is a Poverty You Can Sell 2’, Soup Can Theatre); A dark comedy about a workplace therapist determined to crack open an antagonistic nuclear safety expert with more than just safety on his mind. Directed by Justin Haigh and starring Allan Michael Brunet (‘Marat/Sade’, Soup Can Theatre) and Matt Pilipiak (‘Three Men in a Boat’, Pea Green Theatre).

In addition to the four new theatrical works, four new short musical compositions – each inspired by one of the four lines of dialogue – will be performed by a live five-piece ensemble and serve as interludes between the short plays; ‘Subtlety is not Your Specialty’ by Marla Kishimoto, ‘What’s Bulgarian for Slut’ by Pratik Gandhi, and ‘I Think it’s Time We Talked About Your Filthy Rituals’ by Peter Cavell.

Praise for participating companies’ previous productions:
“Sultry … Seductive … Uniformly Delectable … NNNNN” – NOW Magazine
“Fast and Furious … A Story of Surprising Depth … ★★★★½” – Torontoist
“Sexually Charged … A Thrill Ride … ★★★★” – My Gay Toronto

Production Team:
Producer – Sarah Thorpe
Assistant Producers – Justin Haigh, Scott Dermody, Brandon Crone, Wesley J. Colford.
Music Director – Pratik Gandhi
Stage Manager – Katherine Belyea
Tech Director / Lighting Designer – Randy Lee

Author: BygoneTheatre

Bygone Theatre was founded as a collective in October of 2012, and became an incorporated not-for-profit company in October of 2015. Our mandate is to produce theatre written or set in the early 20th century, focusing on historical aspects in design and incorporating a classic cinema aesthetic. ​ In 2019 Bygone Theatre was nominated for 14 Broadway World Toronto Awards, including Best Community Theatre and Best Play (Equity). We took home a total of 5 awards, 4 of which were for The Rear Window, including Best Direction of a Play (Equity); Best Original Lighting Design; Best Leading Actor (Play, Equity); and Best Featured Actress (Play, Equity). We took a hiatus our 2020/21 season because of the COVID19 pandemic, and used that time to develop our charitable initiatives. In August of 2021 we were nominated for the Toronto Star Readers' Choice Award for Best Live Theatre. Part of our mission involves inclusion and accessibility, and we strive to allow artists of all backgrounds and levels of experience the chance to have hands-on experience in whatever capacity they are most interested in; this has included youth outreach programs for high school students interested in production design, and acting opportunities for those who have never performed onstage.

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