1.What first attracted you to Rope?
I’ve been a Hitchcock fan since I was a kid. Growing up I had some darker interests and was always drawn to mystery and horror; my parents, worried I’d see too much gore too young, steered me towards the classics. As an adult I studied film at UofT, and the more that I watched Rope the more I was drawn to the story. One day, while watching the film with my co-founder Matt McGrath, I noticed a note in the opening credits; based on the play by Patrick Hamilton. I was thrilled. We looked up the play, found that, despite some differences, it was still amazing, and it’s been on my radar and to-do list since then. That was back in 2011.
2. What challenges have you faced working on a site-specific play that runs in real time?
A lot of the same issues that I had when we did Doubt back in January 2013; plays are written (generally) to be on a stage and to have SFX like lighting and sound. I wasn’t too concerned with this initially because I thought, well, real-time should look like real-life, what’s the issue? But being in a museum we do have a lot of limitations and things to consider. Also, ending a play that has a dramatic finish when you can’t simply “go to black” is a challenge. But we manage alright.
3. What have you done to prepare for your role?
As Artistic Director/Producer, preparing for my role basically means preparing the entire show. Over a year ago I started some basic design ideas and looked for venues. Once we had a venue and dates set, I finalized costume designs and started working on raising funds and casting the show. Now I’ve got rehearsals where I do all the basic directing stuff, I spend evenings doing admin things like balancing budgets and filling out the ticket selling paperwork, and then of course there is the marketing. A lot of time is spent on the computer. I spend hours daily updating social media, writing to the cast, contacting other companies to cross-promote, completing props lists, updating online event listings; no one task is particularly difficult but there is a LOT to do.
4. What has been your favourite part of the rehearsal process so far?
I love my cast. I say this every time, but it really is true. I think the best thing that I ever do for one of my shows is cast a group of amazing people; I’ve done it before and it’s happened again. Everyone is so unbelievably talented and they’re a really fun group. Despite working on a heavy play with some dark and very serious concepts, rehearsals are always fun and everyone is getting along. I always look forward to going to them and I never want them to end. It’s a great group.
5. Why should everyone come and see Rope?
Aside from all the usual things – amazing cast, beautiful costumes, and a phenomenal script – you should come and see Rope because it really is different from anything else you’re going to see in the city. The venue is unique and perfectly suited to the show. The play is not one that is done very often, so chances are no one else has seen it performed live (plus, we’ve made some changes as it is now public domain). Rope is unique because it addresses issues of morality, murder and equality without forcing them down your throat; it’s never preachy, it doesn’t talk at you about these things, it simply lets the audience in on a dialogue about it. Sitting right there amidst the party guests the audience is invited to join the conversation and make up their own minds, question themselves on what they would do if they were in that position. I think it’s a neat concept.
Rope run November 21-29th, 2014 at the Gibson House Museum. Tickets are $20 and can be purchased through TO Tix. Seating is extremely limited, to ordering in advance is encouraged. For more show information check us out on facebook or twitter, or see our website.