The Loot Collective Presents Joe Orton’s LOOT

Press release for the Loot Collective’s production of Joe Orton’s “Loot”, supported by Bygone Theatre. Running Mar. 8-17, 2018 at the Alumnae Theatre, Toronto.

FOR IMMEDATE RELEASE:
MONDAY JANUARY 8, 2018

The Loot Collective Presents Joe Orton’s 1960s Farce

LOOT

TORONTO, ON (Monday January 8, 2018) – Bygone Theatre has partnered with the Loot Collective to support their production of Loot, running March 8-17th, 2018 at the Alumnae Theatre, 70 Berkeley St., Toronto. This is a Canadian Actor’s Equity Association production under the Artist’s Collective Policy. Directed by Emily Dix.

SYNOPSIS

England, 1965; Only hours before her intended burial, the late Mrs. McLeavy is removed from her coffin by her son, Hal (Kevin Forster), and his best pal, Dennis (Kenton Blythe), who have together just robbed a bank and need the coffin to stash the loot. The boys try to hide the corpse from the recently widowed McLeavy (Patrick Young) and his deceased wife’s nurse, Fay (Sarah Thorpe), but with Inspector Truscott (Scott McCulloch) hot on their heels, their plan quickly begins to unravel. Absurdity abounds in this dark, 1965 farce that examines attitudes surrounding death, police integrity, and the Catholic church.

ABOUT THE CAST

Patrick Young Bygone Theatre Loot
Patrick Young is Mr.McLeavy in “Loot”.

Patrick Young (Mr.McLeavy) has had an extensive career on and off stage, and may be best known in Toronto for his work at Sheridan College, where he founded the joint actor training program with the University of Toronto Mississauga. He is the author of 4 award-winning biographical plays, and has an extensive directing resume. Past acting credits in Toronto include Flicks, The Relapse and the original production of Automatic Pilot.

 

Scott McCulloch Bygone Theatre Loot
Scott McCulloch is Inspector Truscott in “Loot”.

Scott McCulloch (Truscott) has had a career spanning over 30 years, 100 plays and nearly 50 films. Recent credits include the immersive production Hogtown at Campbell House, the Wolf Manor Theatre production of Three Sisters, and the Thought For Food production of The Trial of Judith K for which he received a Broadway World Toronto nomination of Best Performance by a Male in a Featured Role.

Kenton Blythe Bygone Theatre Loot
Kenton Blythe is Dennis in “Loot”.

Kenton Blythe (Dennis), was most recently seen in the Toronto Fringe hit, Grey. Other stage credits include the Starvox Entertainment production of Evil Dead: The Musical, and a stint at the Shaw Festival, where he was seen in Juno and the Paycock and Cabaret. You may also remember Kenton from Bygone Theatre’s 2013 production of Dial M For Murder.

Sarah Thorpe Bygone Theatre Loot
Sarah Thorpe is Fay in “Loot”.

Sarah Thorpe (Fay) is a multi-talented theatre artist and a core creative member of Soup Can Theatre. She created and performed in the award-winning one-woman show Heretic, a modern retelling of Joan of Arc, in 2015, and has more recently been seen in Toronto Fringe Hit, Behold! The Barfly! and Gut Girls at Alumnae Theatre.

Kevin Forster Bygone Theatre Loot
Kevin Forster as Hal in “Loot”.

Kevin Forster (Hal) is a graduate of the Ryerson Theatre School and has been featured in several productions at the Lower Ossington Theatre, including The Buddy Holly Story, Always ABBA and The Little Mermaid. He has also performed at Hart House Theatre and in the Toronto Festival of Clowns.

Jonah McGrath Bygone Theatre Loot
Jonah McGrath is Meadows in “Loot”.

Jonah McGrath (Meadows) is a recent graduate of the Brock University Dramatic Arts program. Recent credits include Play by Samuel Beckett, The Rise and Fall of the City of Mahagonny and Chekov’s The Man in the Case.

ABOUT THE DIRECTOR

Emily Dix Bygone Theatre Director Producer
Director/ Producer, Emily Dix.

Emily Dix is a founding member and the Artistic Executive Director of Bygone Theatre. As a producer, she has worked with Tarragon Theatre and Theatre 20, and has produced all of Bygone Theatre’s productions to date. She got her start directing at the University of Toronto, working on shows such as the Hart House Theatre production of The Night of The Iguana as an assistant director, and directing a number of shows for the campus colleges. Bygone Theatre directing credits include; His Girl Friday; Vaudeville Revue; Wait Until Dark; Rope; Dial M For Murder and Doubt: A Parable. In addition to directing, Emily does the costume design for all of Bygone Theatre’s productions.

PERFORMANCE SCHEDULE
Thursday March 8 – Saturday March 10, 8:00pm
Tuesday March 13 – Saturday March 17, 8:00pm
Saturday March 10, Sunday March 11, Saturday March 17, 2:00pm matinee

Tickets: On-sale now. Available at https://loot.bpt.me

Media Contact: Producer Emily Dix, Emily@bygonetheatre.com, 647-343-5965
Twitter: @BygoneTheatre |FB: Facebook.com/BygoneTheatre |Insta: @BygoneTheatre

For group sales, press access or to request accommodation, please email Emily@bygonetheatre.com.

 This production is being produced by The Loot Collective and is being supported by
Bygone Theatre.

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Author: BygoneTheatre

Bygone Theatre was founded as a collective in October of 2012, and became an incorporated not-for-profit company in October of 2015. Our mandate is to produce theatre written or set in the early 20th century, focusing on historical aspects in design and incorporating a classic cinema aesthetic. ​ In 2019 Bygone Theatre was nominated for 14 Broadway World Toronto Awards, including Best Community Theatre and Best Play (Equity). We took home a total of 5 awards, 4 of which were for The Rear Window, including Best Direction of a Play (Equity); Best Original Lighting Design; Best Leading Actor (Play, Equity); and Best Featured Actress (Play, Equity). We took a hiatus our 2020/21 season because of the COVID19 pandemic, and used that time to develop our charitable initiatives. In August of 2021 we were nominated for the Toronto Star Readers' Choice Award for Best Live Theatre. Part of our mission involves inclusion and accessibility, and we strive to allow artists of all backgrounds and levels of experience the chance to have hands-on experience in whatever capacity they are most interested in; this has included youth outreach programs for high school students interested in production design, and acting opportunities for those who have never performed onstage.

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