Cast Spotlight: Elizabeth Rose Morris

elizabeth-rose-morriss-headshotElizabeth Rose Morriss plays uptight Gertrude Baldwin in His Girl Friday. You may remember Liz from her role as Miss Kentley in Rope and as a performer in our Vaudeville Revue, as well as numerous Retro Radio Hours. She is also currently on the Bygone Theatre Board of Directors.

Bio: Elizabeth Rose Morriss most recently performed as Anne Egerman in A Little Night Music (Confidential Musical Theatre Project), as Adella in The Little Mermaid (Lower Ossington Theatre), and as Margot Frank in The Diary of Anne Frank (Plain Stage Theatre Company). Previous Bygone Theatre roles include Miss Kentley in Rope, singer in the Vaudeville Revue, and a regular performer in their Retro Radio Hour shows.
She has degrees in Music Theatre (Acadia University) and Education (Nipissing University), is currently on the Board of Directors of Bygone Theatre, and does Marketing for the Toronto Confidential Musical Theatre Project. Keep up with Elizabeth online: Twitter and Instagram @lizrosemorriss, and facebook.com/elizabethrosemorriss.

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How did you hear about Bygone Theatre and this production of His Girl Friday?

Emily Dix directed a play I was in with Newborn Theatre, and I’ve been happy to be involved since the beginning of Bygone Theatre! I’m currently on the Board of Directors, and was intrigued from the first time Emily announced His Girl Friday as the next mainstage play.

What made you want to be involved?/ what do you love about the story?

I love the snappy, very stylized 1940s dialogue. The whole script is so witty and fast-paced, it’s a lot of fun!

What’s your favourite old movie?

I love a lot of old movies, mostly musicals, but my favourite has to be Singin’ in the Rain.

Have you been in a show like this before? What else might people have seen you in recently?

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Ian McGarret as Mr. Kentley and Elizabeth Rose Morriss as Miss Kentley in Rope, 2014.

In 2014, I played Miss Kentley in Bygone Theatre’s production of Rope—different decade and not a comedy, but also a period piece, and also a play with a classic movie version. Most recently I played Anne Egerman in A Little Night Music (Confidential Musical Theatre Project), Adella in The Little Mermaid (Lower Ossington Theatre), and was a singer in Bygone’s Vaudeville Revue.

Why should people come and see the show?

For fun, entertaining vintage comedy!

See Liz live onstage this March in His Girl Friday – tickets available online.

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So, Ya Wanna Be In Vaudeville? CASTING CALL

Hey you! Ya, you! Have you ever dreamed of playing the circuit? Making it big on stage? Think you got what it takes to be a star of Vaudeville? Well then you’re in luck – forget those critics, Vaudeville ain’t dead! We’re breathing new life into it this June with Bygone Theatre’s…

VAUDEVILLE REVUE
Alumnae Theatre Mainstage
June 22-24, 2016

We are currently accepting proposals for acts and are looking for the following;

  • Singers
  • Dancers (tap, ragtime), solo or group
  • Comedians (think more sketches than stand-up)
  • Acrobats/gymnasts
  • Magicians
  • Musicians
  • Jugglers
  • Clowns
  • Unique acts

Acts should be 3-8 minutes long and family friendly (keep it PG). We are looking for period appropriate, which for Vaudeville means 1890s-1930s, so keep that in mind when it comes to material, style and music – don’t worry about costumes, we’ll take care of those. Please note, only scripts and songs written before 1935 will be accepted.

At the moment we are looking for people with specific acts in mind; they don’t need to be completely polished, but we want to know what your source material is and your general concept. There may be an open casting call at a later date for those who want to be involved, but that will depend on this round of submissions.

How to apply:

  • Email director Emily Dix at emily@bygonetheatre.com with the following;
    • A copy of your source material (ie. a link to or pdf of the script, sheet music etc.)
    • A description of your proposed act that highlights, a. the number of performers, b. any specific materials required (props, set, costumes etc.), c. the approximate length, and, d. a breakdown of what the performance will include (if it’s something like a dance that need explanation, for sketches the script will suffice).
    • Any support materials you may have (video footage of a previous performance, or a self-tape is ideal)

What Else You Need To Know:

  • This is likely to remain a non-union production, but at this stage Equity members are welcome to apply, as we are still working on funding
  • This will be a profit-share production
  • All performers will receive a high-quality, professionally filmed copy of their performance
  • Rehearsals will be in June 2016, with a load-in/dress on June 21, and evening performances June 22-24; matinees TBD

Deadline for this first round of submissions is Friday February 12, 2016, at 5:00pm. 

Spread the word and spread the love – Vaudeville is back!

-E.

Retro Christmas Countdown – Xmas in the 20th Century

While Christmas dates back hundreds of years before, it was the start of the 20th century that saw the turn towards the lavish and very commercial holiday that we all know today. Here’s a very brief history of Christmas traditions from the last century.

1900s

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The first Christmas card was created in 1843 by John Horsley, and by the turn of the century the Victorian’s love of sentimental greetings had made this a popular tradition.

The Victorian styles of decorating carried into the start of the 20th century, with gilded nuts, candles and paper ornaments adorning trees.

This decade also saw the creation of what was to become one of the most popular children’s toys of the century; the Teddy Bear. Named after President Roosevelt, the charming story of the origin of this toy and its name can be read here.

1910s

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As Christmas rapidly became a highly commercialized holiday, more and more companies used it as a means of selling their products, and the image of Santa Claus began to morph into the one we are familiar with today. It was in the 1910s that Santa’s now unmistakable look, with red suit and pants trimmed in white fur, matching cap and long white beard, began to become the norm.

While a legend has grown that claims Coca Cola invented the modern-day image of Santa, that is not quite the case. Prior to the famous Coca Cola Santa (who was created in 1931), the jolly elf had been portrayed as anything from tall and lanky to a munchkin-sized man. Norman Rockwell had painted a Santa who is strikingly similar to the 30s Coke version all the way back in 1911, however it wasn’t until Coke began regularly producing consistent looking Christmas ads that the current version of St. Nick really began to stick.

For an interesting pictorial history of Santa, check out this link.

1920s

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By the 1920s the upper class had traded-in their candles for electric Christmas lights, and trees were as lavish and daring as the fashions of the decades.

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With the rising popularity of the wireless (radio), the 1920s also saw the first Christmas radio broadcast when, in 1922, Arthur Burrow presented “The Truth About Father Christmas”.

1930s

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Rockefeller Centre, 1931

In the midst of the Great Depression few had money to spend on food and clothing, let alone Christmas gifts and decorations. Still, the tradition of putting up a tree hung on, with many families owning decorations they had purchased in the more prosperous 1920s. Homemade ornaments also adorned the tree, made out of things like the foil paper saved from cigarette packs. As previously mentioned, Coca Cola started to advertise with their own version of Santa, and upbeat Christmas songs were enjoyed on the radio. Advertisements still bombarded shoppers with ideas for the perfect Christmas gift, only their tactics had changed; a focus on the practical and sometimes financing options were promoted.

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The popular character Rudolph, everyone’s favourite red-nosed reindeer, was created in 1939 by Montgomery Ward. Although it wasn’t until a decade later when Gene Autry released the song that we’ve all learned as kids.

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1940s

The 1940s saw the Second World War, and with that came rations and a reminder that the war effort should be supported above all else. Sales in non-necessities like Christmas lights dropped dramatically as many companies changed their focus to assist in the war effort. War bonds were promoted as a perfect gift for any family member or friend, and Santa himself switched his classic red & white outfit to don army duds and support the cause.

With many families missing fathers, brothers and sons overseas, Christmas could have been a bittersweet time. However, back home the masses were reminded to keep their spirits up while fighting the good fight, so many Christmas celebrations resumed some of the splendour they had seen before the Depression.

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1950s

The post-war boom made the Christmas of the 1950s one of the biggest and gaudiest yet. The Baby Boom meant there were lots of families with youngsters, and so the toy market was buzzing. Wide-spread prosperity meant most were lucky enough to be able to afford Christmas celebrations, and women’s magazines, eager to encourage them to return to the home, now that the war was over, pushed for the ideal Christmas season, full of elaborate recipes and decor.

Television was also becoming popular and with it came a host of Christmas specials. Stars like Nat King Cole and Bing Crosby recorded Christmas songs and popular shows like I Love Lucy recorded special Christmas episodes.

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1960s

By the 1960s, the fads of the 50s were firmly cemented; every toy imaginable was available on the market and they were advertised directly to children in between the cartoons they watched on tv. The Christmas shows we still see today – Rudolph the Red Nosed Reindeer, Santa Claus is Coming to Town and Frosty the Snowman – first appeared on the airwaves and decorations were more colourful and outlandish than ever before.

There was significant variety now as well. Christmas trees could be anything from your traditional green pine, to the popular aluminum trees that came in silver, aqua and even pink! And don’t forget the fake snow! The concept of “Kitschmas” was truly born in the 1960s.

What’s your favourite Christmas decade? Tweet your replies to @BygoneTheatre #RetroXmas 

-E.

Underneath It All: A Brief History of Women’s Underwear, 1900-1970

When dressing a period show, it is important to remember that it’s not just the clothing the audience sees that makes the look authentic. To really capture a realistic period style, the proper undergarments need to be used to help achieve the accurate shape or silhouette.

For those doing a show set in the first half of the 20th century, the following crash-course may be of some assistance.

The 1900s

As you can see in the photos above, the early 1900s embraced a truly “feminine” shape; big hips, large breasts, and a very cinched in “wasp waist”. The look was not quite as extreme as it had been in previous decades (where, in some cases, women may have had ribs removed to try and make their waists smaller, though this idea is debated), but it still required tightly bound whale bone corsets and layers of heavy petticoats.  Little attention was paid to the breasts; push-up and padded bras did not exist, instead the curved upper torso was created by cinching in the waist, so that while the upper body appeared fuller, it did not yet have the definition that would be seen in later decades.

The 1910s

As the century progressed, silhouettes began to transform into a leaner, straighter shape, and the corsets and bustles of the previous decades mostly disappeared. What corsets were still in use now were longer, coming down past the hips and up to just under the bust, helping to achieve a streamlined look. The waist line rose to an “empire waist”, just below the bust, and as the ankles were now often visible, the length of slips shortened. As the petticoats slimmed, bloomers were replaced with a closer fitting underwear, more similar to what we see today. It is also during this time that we see a change in the overall aesthetic of undergarments; they were truly becoming lingerie. Machine-made lace was more readily available, and so decorative underwear could be purchased for a more reasonable price. The ads of the time no longer looked like a textbook page on what was available, but began to embrace the beauty and sensuality of the products.

1920s

The 1920s saw the change from a “womanish” figure to a “girlish” one; the bust, hips and waist were slimmed to a straight, narrow, almost boyish look, and hemlines shortened dramatically. We begin to see some two-piece undergarments, but the bras still are not lifting or defining the breasts. As hemlines were shorter, decorative garters and stockings became popular. Tube-like corsets were used to help curvier women attain a straighter silhouette.

1930s

Two-piece undergarments were the norm come the 1930s and slips were less common. Curves again were being embraced, and women with round, curved hips were adored. Tight-fitting girdles were sometimes used to shape the hips, and early versions of the bras we wear today are seen. Hollywood began to have a major part in the popularity of women’s styles, and ads of the decade catered to those looking for a glamourous silhouette.

1940s

The war had a major effect on women’s fashions as many materials were rationed. “Make do and mend” was the motto, and women were encouraged to sew their own clothes and update their old ones to match the current styles. The limits on fabrics meant that a more angular, fitted look defined the decade, and hemlines were once again shorter, hitting just below the knee. Military styles were popular, and women’s suits came in fashion. Nylon was one of the casualties of the war, as it was needed to make parachutes, and so nylon stockings disappeared from the stores. In an effort to maintain the look, some women drew black “seams” up the back of their legs, giving the illusion of wearing stockings. As many women went out to work in factories, they traded in their dresses and skirts for trousers and overalls, a style that required more form-fitting underwear. Silk was also unavailable because of the war effort, and so slips were less common. To make up for the simplicity in clothing, women’s hairstyles became more elaborate, and accessories were used to decorate an outfit rather than wearing a whole new garment. While there were new styles in 1940s undergarments, keep in mind that many would not have been purchasing them, and would have likely used what they already had instead.

1950s

When the war and its rations ended, fashions embraced the new availability of fabrics, and the female silhouette returned to a fullness it had not seen since the turn of the century. Fitted tops showcased a full bust, and pointed bras lifted and accentuated the breasts. The waist was cinched with a girdle, and full skirts were ballooned with petticoats and bouffants. Stockings were again available, and new “seamless” ones were on the market. Underwear ads became increasingly sexual, and there is a noticeable turn in the marketing which now aimed itself more at men (purchasing for their wives) than women.  Most women were back in the home, and so fashion could again take place over practicality. The ideal women was one who, as Audrey sings in “Little Shop of Horrors”, “cooked like Betty Crocker and looked like Donna Reed”; feminine, fashionable and a devoted wife and mother.

1960s

While many in the 1960s still embraced full skirts, girdles and push-up bras, as feminism blossomed many in the fashion world began to lean towards more natural silhouettes and more comfortable clothing. Skirts got very short, cut high on the thigh, and so slips and underwear shortened as well. Late in the decade and into the 1970s, some women stopped wearing bras and by that point most had long abandoned the corset or girdle. When dressing the 1960s, there are several ways you can go, so before looking for undergarments, ask yourself; is your character a Glamour Puss? a Hippie? a preppy teen? There are many ways to go.

Earlier Decades:

While we here at Bygone tend to focus on the first half of the 20th Century, when it comes to underwear, earlier periods have some of the most interesting articles. Want to learn more about women’s unmentionables? Check out some of these articles:

Mental Floss – A Funny Approach

Hosiery History – Stockings Through The Years

Vintage Lingerie Ads

Elizabethan Costuming

 

-E.

A Brief History of Women’s Hats, 1900-1960

My Mother and I recently signed up for the Millinery course at Stratford Off The Wall, the place where I took my Faux Food class this past September. Over the course of the week, we will learn how to make either fascinators or buckram or soft-form hats. As the two of us do all the costuming for Bygone, I thought I should look up some authentic period pieces for inspiration, in hopes I can make something for a future show. There are so many styles of hats that were seen during the first half of the 20th century, that I decided to put together a very simple, very brief history for any other costumers out there who need a quick reference guide. Hope it helps!

1900’s
In the early Edwardian period, hats were a fashion accessory, rather than a necessity. Most were kept fairly small, sitting on the top of the head atop a pile of hair. More masculine styles had begun to emerge during the 1890s, and some of these were still popular during this period. Women were seen wearing traditionally male styles such as the “Boater” or “Trilbys”. Bonnets had grown out of style, and women preferred hats that soared above the head, sometimes called “3 Story” or “Flower Pots”.

1910’s
During the 1910’s, hats began to grown again in size. The brims grew increasingly large, often reaching past the wearer’s shoulders. To keep these large pieces steady, hat pins, sometimes over a foot long, were used to secure them to the hair. Large plumes and floral pieces adorned hats of this period. During the First World War, however, hats began to decrease in size, fitting closer to the head and sitting low-down on the face, giving the woman a youthful appearance. Hats became more plain, as it was seen as unpatriotic to be concerned with ones appearance during this time.

1920’s
Continuing the trend of the previous decade, hats continued to get lower on the brow and closer fitting on the head. The “cloche hat”, a bell-shaped piece that covered the wearer’s head almost entirely, became a staple of the period. Rather than tall feathers or blooms adorning the hats, design was seen through elaborate detailing in shape, with felt molded into waves and curls. Most hats of the period, particularly later in the decade, did not have brims.

1930’s
The 30’s saw the re-appearance of brims as well as a shallower crown to accommodate the full, curled hairstyles that were popular in this decade. As parasols were now out of fashion, wider brims became popular to protect the wearer from the sun. Towards the end of the decade, hats became taller and were perched on the top of the head, similar to the way they were in the early years of the century. Women’s fedoras (traditionally a male style) also became fashionable when paired with a tailored suit.

1940’s
World War II shaped the look of 1940’s women’s fashion. Because of rations, clothing was often utilitarian looking and closely fit, using as little fabric as possible. Hat materials, however, were not rationed, and so the decade saw the emergence of a wide variety of hat styles, overly adorned and frequently elaborate. Feathers, veils, and artificial flowers graced the tops of wearer’s heads, and the term “piece de resistance” or “resistance piece” implied that the fashions were in a way patriotic, and in protest to the Nazi occupation (a very different outlook than that taken during the First World War). “Doll Hats”, similar to some styles seen in gothic fashion today, were also worn. They sat a-top the wearer’s head, very small and very far forward on the brow, reminiscent of some Victorian styles. The turban was another look, one that covered all or most of the woman’s hair, and that was pulled up into a ‘v’ at the front of the brow; sometimes coined “v for victory”, once again connecting fashion with patriotism.

1950’s
Post WWII saw a decline in the popularity of hats as many women chose to now leave the house without them. In an effort to keep afloat, the millinery industry began to create variety and extravagance, making hats the “must have” piece to top-off a formal outfit. While most hats remained close to the head, “pancake” and “cart-wheel” hats, wide-brimmed, flat pieces that perched atop short hairstyles were also popular.

1960’s
The 1960s saw a greater decline in the wearing of hats, although the popularity of Jackie Kennedy made the pillbox hat extremely fashionable for some time. The decade’s higher, fuller hairstyles meant that hats needed to be small and sit on the top of the head. Fashion in the 60s was increasingly geared toward youth, and so hats began to be viewed as a thing of the past. Towards the end of the decade, hats as a daily accessory, except during the cold months, were nearly extinct. Brief re-emergence’s have been seen since then, but for the most part, the hat as an everyday accessory died out in the 1960s.

E.

 

Sources: http://vintagefashionguild.org
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