Congratulations and best of luck to all those who are nominated, voting only takes a couple of minutes and can be done here. Bygone is honoured to be recognized in the following categories;
FOR IMMEDIATE RELEASE:
MONDAY JANUARY 28, 2019
MEDIA CONTACT: Emily Dix | email@example.com | 647-343-5965
The Rear Window Collective Presents the World Premiere of
THE REAR WINDOW
A Thrilling New Stage Adaptation of a Classic Tale
TORONTO, ON (Monday January 28, 2019) – Bygone Theatre has partnered with the newly formed Rear Window Collective to support their upcoming production of the world premiere of The Rear Window, written and directed by Emily Dix. This Canadian Actor’s Equity Association production is being produced under the Artist’s Collective Policy, and runs March 8 – 17, 2019 at Theatre Passe Muraille, on their mainstage.
Recuperating from a broken leg, photojournalist L.B. Jefferies (Tristan Claxton) spends his days cooped up in his NYC apartment, watching his neighbours through the rear window of his home. What starts out innocently enough quickly grows into a dangerous obsession, as Jefferies – hopped up on painkillers and too much alcohol – becomes convinced he’s witnessed one of his neighbours commit a brutal murder. Has Jefferies’ really solved a terrible crime? Or have his inner demons finally got the best of him?
Based on the short story It Had To Be Murder by Cornell Woolrich, the same tale that inspired the 1954 Hitchcock film, Rear Window (James Stewart, Grace Kelly), The Rear Window takes a new look at this classic tale of a peeping Tom who saw more than he wanted to see. Still set in the 1950s, the play’s relevancy to today is undeniable in a world where many of us waste away our hours “spying” on others through social media, making our own stories and assumptions based on these small glimpses of a person’s life. A gripping, psychological thriller that will leave you guessing until the final moments whether or not what we’re seeing can truly be believed.
Featuring: Tristan Claxton (Hamelt(s); The Dutchess of Malfi), Kate McArthur (Hamelt(s), My Entertainment World Outstanding Lead nomination; The Tom and Gertie Letters Project), Alex Clay (A Streetcar Named Desire; Inch Of Your Life), Elizabeth Rose Morriss (Tell Me On A Sunday; Harvest Moon Rising), Isaiah Kolundzic (Venus in Fur; The Boys In The Band;Six Stories Told At Night), Sarah Marchand (Umbrella Academy; God’s Plan B), Casey Romanin (Moving On), Gabriel Hamilton (Edmond; The Forest; His Girl Friday).
Created by The Rear Window Collective | Supported by Bygone Theatre
RECOMMENDED for ages 14+ | ADVISORY: Adult situations, violence
SHOW DATES March 8-17, 7:30pm evenings, 2:00pm weekend matinees
LOCATION Theatre Passe Muraille | 16 Ryerson Ave., Toronto
BOX OFFICE online via Arts Box Office | 416-504-7529
TICKETS $25-$30 | $20 Early Bird Discount tickets available until February 7
While we are based in Toronto, our talented friends go all over to perform. You recently saw our Top 5 Toronto Fringe Festival list, now it’s time for our Top Fringe Picks that are outside of Toronto, again, all feature a “Friend of Bygone”. Why not take a mini road-trip and check these out? We plan to!
Turtleneck – Storefront Fringe Festival, Kingston, ON (Sean Jacklin)
Synopsis: Vick is a recovering sex addict on a road to recovery. Along the way she befriends Darcy, a rehabilitation worker. Things seem to be going well for her until she accidentally meets Darcy’s volatile sex-obsessed older brother. What follows is a spiralling chain of events that threatens her new life and the lives of everyone around her. Turtleneck is a dark comedy about sex addiction, pornography, gender roles and the exploration of human limitations.
Featuring: Sean Jacklin, Annie Tuma, Karen Scobie, Bryce Fletch, Steven Vlahos
Sean Jacklin: Recently played hard-boiled newspaper editor Walter Burns in our production of His Girl Friday. Sean is a natural onstage, easily switching between comedy and drama, he can steal the show in any scene he’s in. Definitely worth the drive to Kingston.
Showtimes: Time is running out on this one! All that remains are;
Friday June 30, 10:30pm
Saturday July 1, 2:00pm
Some Of Us Pretend – Hamilton Fringe Festival (Alex Clay)
Synopsis: A chance encounter between a painter and a writer plants a seed that promises to blossom, that is, until the death of a stranger. What can one do when all they feel is blame? Is it selfish to use art to help heal that pain? Some of us Pretend is a new play by Bricks n’Sticks Productions, the company that brought you Scribe! at the 2015 Hamilton Fringe Festival.
Featuring: Alex Clay, Brittany Cope and Melinda Jordan
Alex Clay: Alex recently performed as McCue in His Girl Friday, and has also been involved in our Retro Radio Hour performances. He’s a talented and versatile performer, and a super great guy – go see his show. You’ll be glad you did.
July 21 @ 6:00pm
July 22 @ 9:30pm
July 23 @ 8:00pm
July 25 @ 7:30pm
July 27 @ 9:30pm
July 28 @ 5:00pm
July 29 @ 4:00pm
The Blue Bird – Hamilton Fringe Festival (Eric Lehmann)
Synopsis: Human beings are very odd! Since the death of the Fairies, they see nothing at all and they never suspect it! With the help of a magical diamond, Mytyl is able to finally see the souls of all the things around her. As she embarks on a perilous and exciting journey in search for the mysterious Blue Bird of Happiness, she discovers exactly how much she has been missing. But does she find the Blue Bird?
Featuring: Monique Stinchcombe, Constantine Karzis, Kelly McAllister, Kasha Pinel, Tanisha Sinclair, Marisa McDonald, Eric Lehmann, Jared Doke, Anjali Rai, Holly Pace and Alyssa Blasak.
Eric Lehmann: You may remember Eric from one of our Retro Radio Hour shows, or from his performances at our Vaudeville Revue. Don’t believe there’s any singing in this one, but we’re excited to see what he’s up to!
Fri July 21: 8:30pm
Sun July 23: 3:00pm
Mon July 24: 6:00pm
Wed July 26: 8:00pm
Fri July 28: 6:00pm
Sat July 29: 9:00pm
Sun July 30: 3:30pm
Alex Clay plays newspaper man McCue in our upcoming production of His Girl Friday.
Bio: Alex studied at the University of Guelph and the University of Toronto, collecting degrees with all his might until he realized that the safest and most stable route for him was definitely acting. Alex debuted as Jason in Guelph Little Theatre’s Rabbit Hole. He then played Oberon in A Midsummer Night’s Dream in a park somewhere. Next, he discovered the world of acting in short plays with Special Delivery at Theatre InspiraTO festival, Remembrance at Social Capital, and Lifeboat at Small But Mighty Productions. Alex then got his creep on. First, as a dimwitted camera operator turned enigmatic demon in Interview with a Demon, then as a teenage prodigy turned psychopathic murderer in The Dialogues of Leopold and Loeb. This summer Alex made his Toronto Fringe Festival debut in Inch of Your Life: Episode 1…stay tuned folks! Most recently, he trekked to Windsor to play Stanley Kowalski in A Streetcar Named Desire. Alex is thrilled to be making his Bygone Theatre debut with this amazing group of artists.
1. How did you hear about Bygone Theatre and this production of His Girl Friday?
I do my best to keep up with as many theatre companies in Toronto as I can, so at some point I stumbled upon Bygone Theatre and I really liked their mandate and play selection, so I began following them on social media. I have a few friends who have worked with them in the past as well. When I saw the casting call for His Girl Friday I was excited to see that their newly adapted script was made available. I read the script, loved it, auditioned, and here we are!
2. What made you want to be involved?/ what do you love about the story?
There is a strong female lead; Hildy Johnson is badass. It’s a classic screwball comedy. Many of the characters are so self involved that in the context of the play it’s funny, but it’s also a statement that still resonates today about how people can become desensitized by the tedium of their jobs. Media coverage is a hot issue these days and this play provides an insider look at the coverage of a high profile case.
3. What’s your favourite old movie?
This is a really tough one. I’m a huge fan of Hitchcock, including Rope and Dial M for Murder, both of which Bygone Theatre has produced. But if I had to go with one it would probably be Fritz Lang’s mystery thriller M…or Jean Renoir’s pacifist war film La Grand Illusion…or Vittorio De Sica’s heart wrenching Bicycle Thieves. I told you this was a tough one. These three films could probably not be any more different from one another, but they all have really interesting things to say about the human condition. La Grand Illusion is a film about the First World War that subtly reveals the looming danger of Hitler (released in 1937), and Fritz Lang ably shows the dangers of a mob mentality when a child murderer is on the loose, and De Sica’s Bicycle Thieves is partly responsible for breathing life into a new way of filmmaking. This is ground breaking, revolutionary, must-watch material. #selfidentifiedfilmnerd
4. Have you been in a show like this before? What else might people have seen you in recently?
Around this time last year I was in a new play by Brad Walton called The Dialogues of Leopold and Loeb which is only similar in so far as it was set only about a decade prior to His Girl Friday. This script demands a fairly fast paced delivery of the lines, which is something I became accustomed to in working on Massimo Pagliaroli’s Inch of Your Life: Episode 1 at last year’s Toronto Fringe Festival. I look forward to working with Massimo and his great cast and crew on the upcoming instalments in that series.
5. Why should people come and see the show?
People should see this show because there is nothing else quite like it, certainly not on the stage in Toronto anyway. It’s got humour, mystery, intrigue, and phenomenal period appropriate costume and set design. The tickets are quite affordable and we are performing at a relatively new and up and coming venue, the home of Native Earth Performing Arts, Aki Studio at Daniels Spectrum. Check out Métis Mutt before it closes on February 5th!
6. Anything else you want us to know?
Go to the theatre, if not this show, then some other one (but definitely still consider this one). The performance of a play only lasts 60, 90, 120 minutes, whatever its runtime may be, and then it ends and will never be seen again. You can do a one-month run and no two shows will be the same. It’s alive, it’s breathing and it’s brought to you by talented (often local) artists. I could not be more proud of what I do, and I do it for you. Support the arts!