On Friday Rope opened to a packed audience; our Opening Night Gala was a hit and the show was a smashing success. I’m so proud of all those who have been involved and it was wonderful to finally see everything fall into place onstage. This Saturday November 22nd we have two performances; a 2:00pm matinee, which as of late Friday night is 78% sold out and a 7:30pm evening show, which is currently 93% sold out. It’s great to have such full houses and we open the show is received well!
If you would like to get tickets to this weekend’s performance, check out TOtix.ca. Tickets can be purchased online up to 2 hours before the event. After that, tickets can only be purchased at the door; cash only, please.
If you are unable to join us for opening weekend, not to fear! Next Friday November 28th we have a 2:00pm PWYC matinee for Arts Workers and a 7:30pm performance. On Saturday November 29th we have a 2:00pm matinee and we close that evening at 7:30pm.
Caitlin Robson in Bygone Theatre’s Rope.
Elizabeth Rose Morriss and Ian McGarrett in Bygone Theatre’s Rope
On September 15, 2014, the cast of Rope met for our first read-through. After a single reading, I knew I had made the right casting choices. We had an incredibly talented group of actors, and thankfully, everyone got along from the start.
We got into rehearsals right away, and quickly started making interesting discoveries about the text. The onstage chemistry grew fast, and offstage new friendships started to form.
We put together an awesome fundraiser, Retro Radio Hour – Suspense! and got to see everyone’s comic side.
And a glamourous side as well.
As the show progressed, and intensity grew, I started to get really pumped about the show. Despite seeing scenes over a dozen times, these guys were giving me chills. I knew we had something great.
While Rope is Chelsey MacLean’s first Bygone Theatre production, she and director Emily Dix met each other in high school and first worked on a play together in 2007! Chelsey plays the dim-witted Leila Arden.
1. What first attracted you to Bygone Theatre and this production of Rope?
I had actually been directed by Emily Dix before, for my first play! I had always looked up to Emily and she inspired me to try my hand at directing the following year. I was eager to work with Emily’s professional and artistic skills once again with the added benefit of us bringing our new training to the table. I was also excited for this project as I am a big Patrick Hamilton fan (Let’s do Gaslight next!).
2. What is your favourite part of working on a site-specific play that runs in real time?
My favourite part of working in a site specific play is that both actor and audience can build a relationship with their environment, which I think brings both parties closer together; the actor endows the very setting the audience sits in while the audience has the advantage of not only watching a reality unfold, but find themselves immersed in it. I believe the real time aspect furthers the suspension of disbelief as the audience does not feel interrupted, and the actor can have the treasure of experiencing the minutia of their character’s moment to moment thought process. 3. What have you done to prepare for your role?
To prepare for Rope, I read a few of Patrick Hamilton’s works to familiarize myself with his style, researched the history and setting of the play, then the history and setting of where our production places Rope to find connections/ contrasts; understanding the norms for women at this time in history was quite helpful. As I further explored Leila Arden and her film buff nature, I have happily taken up watching movies from the 1920’s as an additional step to understanding her influences. 4. What has been your favourite part of the rehearsal process so far?
I really value the cast of Rope. Every rehearsal I have the gift of learning a little something from each member of this diverse group of actors and those pieces add up to creating a fantastic experience. 5. Why should everyone come and see Rope?
Everyone should come see Rope and support local theatre because its a provocative mix of terror, comedy, and psychological intrigue set in our very own Toronto with a timeless story that entertains and questions! Why watch another Whodunnit, when you can be in the room to witness what unfolds once “it” is done? Besides, Leila Arden saw it once, and she thought it was good, dear; why absolutely marvelous!
Want to see Chelsey grace the stage as the lovely Leila Arden? Get tickets through TO Tix, show runs November 21-29, 2014 at the Gibson House Museum
Leete Stetson has worked on every Bygone show to date; he was music director and part of the choir in Doubt: A Parable, played Tony Wendice in Dial M For Murder and has performed in each of the Retro Radio Hour shows. Leete joins us again as the sinister Brandon Wyndham in Rope.
1. What first attracted you to Bygone Theatre and this production of Rope?
The lovely and talented Emily Dix. To date, I think I’ve been involved in just about everything Bygone Theatre has done. Emily and I have many interests in common, one of which is Alfred Hitchcock who did a film adaptation of this play.
2. What challenges have you faced/OR/ what is your favourite part of working on a site-specific play that runs in real time?
My favorite part of working on play that runs in real time is that you don’t have to make up what happens to the character in between scenes. The biggest challenge of working on a play that runs in real time is that you don’t get to make up what happens to the character in between scenes.
3. What have you done to prepare for your role?
I’ve sat in the dark late at night and had deep conversations with the air about death and the futility of existence. Then, I’ve turned on the lights and read the script until I could say almost all of my lines in the right order.
4. What has been your favourite part of the rehearsal process so far?
I like the parts where I’m waxing philosophic with Rupert/Jamieson Child. He’s a good listener. My second favourite part of the rehearsal process is yelling at Emily when I disagree with her.
5. Why should everyone come and see Rope?
It’s not very often that you get to see a play in as beautiful a location as the Gibson House museum. It’s not very often that you get to see a play whose scope is as pinpoint-focused as one room, one evening. It’s not very often that you get to see a play with as talented a group of actors as Nicholas Arnold, Jamieson Child, Caitlin Robson, Elizabeth Rose Morriss, Matt McGrath, Chelsey MacLean and Ian McGarrett
Rebecca Russell and Leete Stetson in “Retro Radio Hour” – photo by Danielle Son
Leete Stetson in “Dial M For Murder” – photo by Danielle Son
Leete Stetson in “Dial M For Murder”
Want to see more of Leete? Get your tickets to Rope through TO Tix.
This weekend we had our auditions for our November production of Rope; what an amazing group of talented people! Some tough decisions had to be made but it’s made for what I’m sure will be a stellar cast. So say hello to the cast of Rope!
Leete Stetson as Brandon Wyndham
You may remember Leete Stetson as Tony Wendice in last August’s production of Dial M For Murder.
Bio: Last year, Leete Stetson played Tony Wendice in Bygone Theatre’s production of Dial M for Murder, and assisted with Doubt and the Retro Radio Hour series. Despite what you may assume from his previous work with Bygone, he has murdered hardly any people. Leete is also the General Manager of Theatre Double Take and one third of the creative force behind the comedy/mystery podcast Duotang Chesterfield’s Mystery Theatre. In his spare time, he serves you coffee.
Nicholas Arnold as James Kelly
This is Nicholas Arnold’s first Bygone Theatre production.
Bio: Nicholas Arnold is an award-winning writer, director and producer in the film industry as well as a professional actor in theatre and film. Nicholas produced his first documentary at the age of 14 and followed that with his feature directorial debut, “The Vicious Circle,” a film on bullying and hatred, by the time he was 17. Recently, Nicholas premiered his second feature film, “William’s Lullaby,” this time focusing on depression and grief and how it affects child-hood development. As an actor, Nicholas was awarded the Bancroft Theatre Guild Award for Acting Excellence for his 2008 portrayal of “Sparkle” in Judith Thompson’s gritty drama, Habitat. He has also toured Ontario with his one-man show, A Tribute to Jerry Lewis and in 2012 toured the Southern US in The Best of Dean Martin and Jerry Lewis.
Jamieson Child as Rupert Cadell
This is Jamieson Child’s first Bygone Theatre production.
Bio: Jamieson Child is an actor/ filmmaker/ playwright and graduate of Ryerson University’s Film Studies program. He has directed, co-written, and appeared in three shockingly funny shows created with his brother, one of which, Kill Sister Kill, premiered to startled reviews at the 2013 Toronto Fringe. Some past theatre credits include Cosi and You Are Here (Alumnae Theatre), and Orsino in Shakespeare’s Twelfth Night (Ruckus Magazine). He is an original member of the New Drama Company (www.newdramacompany.com). This is Jamieson’s first experience on stage with Bygone Theatre. He is very pleased to join such great company for Rope. Enjoy the show.
Chelsey MacLean as Leila Arden
This is Chelsey MacLean’s first Bygone Theatre production, however, she worked with director Emily Dix back in 2007 on a play called Stalls.
Bio: Chelsey MacLean is thrilled to make her Bygone Theatre debut in the role of Leila Arden. Past credits include Theatre Sheridan: Make-Up Artist in Merrily We Roll Along, Dance Ensemble/ Swing in Chicago, Bessie Bletcher in Colours in the Storm and ensemble in Oklahoma! The Singer’s Theatre: Mimi Maquez in Rent and Yvonne in Miss Saigon. Chelsey is a recent graduate of the Sheridan Music Theatre Performance Program and is grateful to her Sheridan family of faculty and friends.
Matthew McGrath as Kenneth Raglan
Producer Matt McGrath is thrilled to be acting in his first Bygone production!
Bio: Matt has been acting on stage for over a decade; for five years he performed in productions with the Youngest Shakespeare Company. He attended Cardinal Carter Academy for the Arts for their drama program, and graduated from U of T with a degree in Cinema Studies and English.
Selected Stage Credits: “Excuse You” (Theatre On A Though/Toronto Fringe); “Young Frankenstein” (Alexander Showcase Theatre); “Rosencrantz and Guildenstern Are Dead” (Hart House Theatre); “Absolute Alice” (Stratford Factory Productions/Toronto Fringe); “Hairspray” (St. Michael’s College); “Pigeons In Love” (InspiraTO Festival); “Arsenic and Old Lace” (Victoria College Drama), “The Philadelphia” (Victoria College Drama).
Ian McGarrett as Dr. Kentley
You may remember Ian McGarrett (by voice at least) from Bygone’s production of Dial M For Murder; he played Thompson and all the voices on the phone and radio.
Bio: It was my grandmother who instilled in me an interest in theatre. I can remember when I was seven or so, acting out improvised scenes with her based on bits from The Beverley Hillbillies in which she was Miss Hathaway and I was Mr. Drysdale. My grandmother was a schoolteacher and introduced me quite early to Shakespeare, reading from The Merchant of Venice, Portia’s speech about the quality of mercy and all that glisters etcetera. Although I maintained my interest in theatre and even did some volunteer work at the Tarragon and Factory Lab but owing to inordinate stage fright we have to skip fifty years before I first appeared on stage. Three words. “Sir. Yes, sir!” but for that I got to take a bow and I was hooked. I next auditioned for Nuts and got a callback, hoping to play the court’s security guard or maybe the stenographer, only to be surprised when the director asked me if I was okay with playing the District Attorney. That’s fairly well up to date, not much of a bio and all I can say is… still hooked.
Elizabeth Rose Morriss as Miss Kentley
You may remember Elizabeth Rose Morriss from our Retro Radio Hour. She also worked with director Emily Dix on the Newborn Theatre production of Noble Savages several years ago.
Bio: Elizabeth Rose Morriss has degrees in Music Theatre (Acadia University) and Education (Nipissing University). She has been involved with the Civic Light Opera Company since 1999, playing roles including Magnolia in Show Boat, Marsinah in Kismet, and Hope Harcourt in Anything Goes. Elizabeth has appeared in the Toronto Fringe Festival in Lord of the Rings: the Musical: the Musical (2007), SQUAT: A Super Secret, Back-Alley Musical (2013), and Group Therapy (2014). Other credits include the two-person comedy Romantic Fools at the Queen Elizabeth Dinner Theatre, Newborn Theatre’s 2012 Odds & Ends Festival at the Tarragon Theatre (with director Emily Dix), a recurring role as Mina in Dracula at Casa Loma, and Bygone Theatre’s 2013 Retro Radio Hour. Elizabeth is thrilled to be working with Bygone Theatre again!
Caitlin Robson as The Maid
This is Caitlin Robson’s first Bygone Theatre production.
Bio: Caitlin Robson is a Toronto-based emerging artist. Recent acting credits include Anna in Karenin’s Anna at Toronto Fringe (Outstanding New Play, Outstanding Production and outstanding Ensemble, NOW Magazine; Fringe Highlight, The Torontoist); Judith in Equivocation, Persephone Theatre (nominated for eight SAT awards) Caitlin is also an experienced drama instructor, and an independent director and producer. Thanks to her friends and family for all their love and support!
Emily Dix – Director
Our Artistic Director is going to be directing this production; she has directed all Bygone Theatre shows to date.
Bio: Emily is a founder member and the Artistic Director/Producer of Bygone Theatre. She has worked as an actor, director, stage manager and designer. In August of 2014 she traveled to New York with Promise Production to stage manage their production of “No Visible Scars” for the New York City International Fringe Festival. Emily is in charge of all of Bygone’s artistic decisions, as well as marketing and promotion.
Selected Directing Credits: “Festival of Dance” (Hart House Theatre); “Dial M For Murder” (Bygone Theatre); “Festival of Dance” (assistant director, Hart House Theatre); “Revelation” (assistant director, New Ideas Festival, Alumnae Theatre); “Doubt: A Parable” (Bygone Theatre); “Plasterface” (Newborn Theatre); “Noble Savages” & “Children Don’t Cry” (Newborn Theatre, Odds & Ends Festival); “Pigeons In Love” & “Bucket” (InspiraTO Festival); “The Night of the Iguana” (assistant director, Hart House Theatre); “Hairspray” (St.Michael’s College); “Arsenic and Old Lace” (Victoria College Drama Society); “Stalls” (Sears Drama Festival); “Liars” (Sears Drama Festival).
Devon Potter – Stage Manager
Devon Potter is our stage manager for Rope; this is her first Bygone Theatre production.
Bio: Devon is a Toronto-based Stage Manager, Producer, theatre reviewer, writer and sometime performer who has been involved in theatre for the better part of two decades. When not doing or reviewing a show, she spends her time watching Indie films and dreaming of life in Paris. Selected credits include: As Stage Manager: Parade (StageWorks Toronto), South Pacific, My Fair Lady (Scarborough Music Theatre), Miss Caledonia (Lunkamud/Summerworks Theatre Festival), The Cat of Kensington (Cats in the Cradle/Toronto Fringe Festival FringeKids!), A Quest of Character (Kid-Safe Productions/Toronto Fringe Festival FringeKids!). As Co-Producer: Nine (Scarborough Music Theatre). As Production Assistant: The Canadian Premiere of Martin Crimp’s The City (Actors Repertory Company).