Crew Spotlight: Emily Dix

25.pngEmily Dix is the Artistic Executive Director of Bygone Theatre, and is directing, stage managing, designing and producing His Girl Friday. Emily has produced all of Bygone’s shows and directed 5 of the 6, with this now being her 7th.

Bio: Emily Dix is a Toronto based theatre artist, a “jack of all trades” who has worked as a director, producer, stage manager, set & costume designer and performer. In 2008 she moved to the city to attend UofT and quickly became involved with companies on campus, like Victoria College Drama, the UC Follies, St. Mike’s Drama and Hart House Theatre. In 2012, she founded Bygone Theatre, a company which she still runs today as the Artistic Executive Director. Emily has worked as a producer for Theatre 20 and as the assistant producer at Tarragon Theatre, as well as a production assistant for Poculi Ludique Societas, the PR Manager for the Social Capital Theatre, and numerous other freelance positions. In addition to her work in theatre, Emily is a vintage lover and avid collector. She owns an Etsy shop, Tucked Away Antiques, that specializes in small vintage items and digital downloads. Emily has also dabbled in design, making web sites and posters for local artists. For past credits and more information, visit her website, www.emilydix.com.

What made you want to mount His Girl Friday?

While not a conscious decision, I realized that all of the shows Bygone had mounted so far were either dramas, or at the very least rather dark comedies. I never intended for us to stick to style like that so when I was planning our 2016/17 season I knew I wanted a comedy. I had a list of several that had caught my eye, but one day I stumbled across a list of films that were currently in the public domain, and couldn’t believe His Girl Friday was one of them! I was going to write the adaptation myself, but my uncle, Craig Dix, had recently sent me a radio of script of his he’d done, so I asked him if he’d like to do it, and the answer was an enthusiastic “yes”. It’s a great story, with a large and diverse cast, strong female lead AND in the public domain – how could I not want to put it on?

What do you love about the show?

It really is very funny. I love the fast-paced dialogue and the opportunity for cheesy, over-the-top humour. While there are certainly complications with having such a large cast, I did want to be able to include a lot of people, so the size of it appeals to me as well. Plus, I love stories that include a great romance, without it being the central part of the story. It keeps things endearing but not sappy, and makes for a plot everyone can enjoy.

Which role – director, producer, designer, stage manger – have you found most challenging? Why?

I think with this one, I’d have to say director, simply because of the size of the cast. While I did the first round of auditions very early December, it took a very long time to get everything cast; I’m glad I held out for the right actors, but it has been stressful not having the whole group. As producer, it’s always stressful because there is a lot of money on the line, but I feel like I’ve done it enough by now that I have a pretty solid idea of what it takes, and just look at past show reports to calm myself when I start worrying about whether we’ll be able to make rent.

What has been the most rewarding part of the process so far?

Seeing the advances the cast has made. Like I said, big show, lots of fast-talking dialogue, it’s not an easy play. It’s exhausting, especially for the leads. But I’ve got an amazingly talented cast, and every rehearsal they’re leaps and bounds above where they were before, so it’s super fun and rewarding to see them get comfortable in their roles and play with a lot of the silliness that is there in the script. It’s going to be a funny show.

Why should people come and see the show?

It’s so much fun. Fast-paced, goofy, it’ll have you laughing and on the edge of your seat. Not to mention we’ve got a huge cast, so if you’re in the local theatre scene, chances are you know someone involved! Come out and support Toronto Theatre.

Anything else we should know?

Sadly, it’s a very limited engagement, just one weekend. So there are only 5 chances for the public to come and see the show; Thursday March 2, 8:00pm; Friday March 3, 8:00pm; Saturday March 4, 2:00pm and 8:00pm; Sunday March 5, 2:00pm. We encourage you to buy your tickets in advance, which can be done through the Native Earth box office, at www.nativeearth.ca/hisgirlfriday. Hope to see you there!

AUDITIONS – His Girl Friday

Bygone Theatre is holding auditions for its March production of HIS GIRL FRIDAY, running March 2-5, 2017. Directed by Emily Dix.

This is a non-union, profit-share production.

HIS GIRL FRIDAY
Screenplay by Charles Lederer
Based on the play “The Front Page” by Ben Hecht and Charles MacArthur
Adapted for the stage & additional dialogue by Craig Dix

VENUE
Aki Studio, Daniel Spectrum, 585 Dundas St. E., Toronto
Wheelchair Accessible | General Admission

SYNOPSIS
This iconic screwball comedy tells the tale of Walter Burns, a hard-boiled newspaper editor who learns that his ex-wife, “newspaper man” Hildy Johnson, is going to give-up reporting to marry a bland insurance salesman from Albany. Determined to sabotage these plans and keep Hildy with the paper (and himself), Burns convinces her to cover one last story; the execution of cop-killer Earl Williams. Things quickly spiral out of control and Burns and Hildy find themselves tangled up in the case, and each other’s lives. A hilarious look at the struggle to balance life and love.

AUDITIONS
Bygone Theatre is holding auditions December 2 & 4, 2016. To request an audition slot, please send your headshot and artistic resume to director Emily Dix (emily@bygonetheatre). Those selected for an audition will be given a chance to sign up for a slot. Please note that this is a non-union, profit-share performance.

CHARACTERS
We are casting for the following characters; please note, we encourage submissions from actors of diverse cultures and backgrounds. Some smaller roles may be doubled, as indicated.

Hildy Johnson: female, age 27 – 35
Walter Burns: male, age 30 – 37
Bruce Baldwin: male, age 27 – 35
Maisie/Jeanie: female, age 20 – 25
Diamond Louie: male, age 25 – 40
Duffy/Dr. Eglehoffer: male, age 35 – 60
Pete Davis/Doctor/Deputy: male, age 30 – 60
Murphy: male, aged 25 – 40
Bensinger: male, aged 25 – 40
Endicott: male, aged 25 – 40
McCue: male, age 25 – 40
Warden Cooley /Lieutenant/Policeman: male, aged 25 – 40
Earl Williams: male, age 35 -60
Mollie Malloy: female, age 20 – 30
Sheriff Hartwell: male, age 35 – 60
Mayor: male, age 35 – 60
Joe Pettibone: male, age 35-60
Gertrude Baldwin: female, age 25 – 35

Please visit the show page on our website to download a copy of the script.