Alex Clay plays newspaper man McCue in our upcoming production of His Girl Friday.
Bio: Alex studied at the University of Guelph and the University of Toronto, collecting degrees with all his might until he realized that the safest and most stable route for him was definitely acting. Alex debuted as Jason in Guelph Little Theatre’s Rabbit Hole. He then played Oberon in A Midsummer Night’s Dream in a park somewhere. Next, he discovered the world of acting in short plays with Special Delivery at Theatre InspiraTO festival, Remembrance at Social Capital, and Lifeboat at Small But Mighty Productions. Alex then got his creep on. First, as a dimwitted camera operator turned enigmatic demon in Interview with a Demon, then as a teenage prodigy turned psychopathic murderer in The Dialogues of Leopold and Loeb. This summer Alex made his Toronto Fringe Festival debut in Inch of Your Life: Episode 1…stay tuned folks! Most recently, he trekked to Windsor to play Stanley Kowalski in A Streetcar Named Desire. Alex is thrilled to be making his Bygone Theatre debut with this amazing group of artists.
1. How did you hear about Bygone Theatre and this production of His Girl Friday?
I do my best to keep up with as many theatre companies in Toronto as I can, so at some point I stumbled upon Bygone Theatre and I really liked their mandate and play selection, so I began following them on social media. I have a few friends who have worked with them in the past as well. When I saw the casting call for His Girl Friday I was excited to see that their newly adapted script was made available. I read the script, loved it, auditioned, and here we are!
2. What made you want to be involved?/ what do you love about the story?
There is a strong female lead; Hildy Johnson is badass. It’s a classic screwball comedy. Many of the characters are so self involved that in the context of the play it’s funny, but it’s also a statement that still resonates today about how people can become desensitized by the tedium of their jobs. Media coverage is a hot issue these days and this play provides an insider look at the coverage of a high profile case.
3. What’s your favourite old movie?
This is a really tough one. I’m a huge fan of Hitchcock, including Rope and Dial M for Murder, both of which Bygone Theatre has produced. But if I had to go with one it would probably be Fritz Lang’s mystery thriller M…or Jean Renoir’s pacifist war film La Grand Illusion…or Vittorio De Sica’s heart wrenching Bicycle Thieves. I told you this was a tough one. These three films could probably not be any more different from one another, but they all have really interesting things to say about the human condition. La Grand Illusion is a film about the First World War that subtly reveals the looming danger of Hitler (released in 1937), and Fritz Lang ably shows the dangers of a mob mentality when a child murderer is on the loose, and De Sica’s Bicycle Thieves is partly responsible for breathing life into a new way of filmmaking. This is ground breaking, revolutionary, must-watch material. #selfidentifiedfilmnerd
4. Have you been in a show like this before? What else might people have seen you in recently?
Around this time last year I was in a new play by Brad Walton called The Dialogues of Leopold and Loeb which is only similar in so far as it was set only about a decade prior to His Girl Friday. This script demands a fairly fast paced delivery of the lines, which is something I became accustomed to in working on Massimo Pagliaroli’s Inch of Your Life: Episode 1 at last year’s Toronto Fringe Festival. I look forward to working with Massimo and his great cast and crew on the upcoming instalments in that series.
5. Why should people come and see the show?
People should see this show because there is nothing else quite like it, certainly not on the stage in Toronto anyway. It’s got humour, mystery, intrigue, and phenomenal period appropriate costume and set design. The tickets are quite affordable and we are performing at a relatively new and up and coming venue, the home of Native Earth Performing Arts, Aki Studio at Daniels Spectrum. Check out Métis Mutt before it closes on February 5th!
6. Anything else you want us to know?
Go to the theatre, if not this show, then some other one (but definitely still consider this one). The performance of a play only lasts 60, 90, 120 minutes, whatever its runtime may be, and then it ends and will never be seen again. You can do a one-month run and no two shows will be the same. It’s alive, it’s breathing and it’s brought to you by talented (often local) artists. I could not be more proud of what I do, and I do it for you. Support the arts!