Scott McCulloch plays Truscott – a council employee from the Metropolitan Water Board, and certainly not a police Inspector – in our upcoming production of Joe Orton’s Loot.
Bio: Loot marks the first time in a career spanning more than 30 years, well over 100 plays and close to 50 film and television productions. that he has appeared A) with Bygone Theatre B) at the Alumnae, and C) (fulfilling a long-time ambition) in one of Mr. Orton’s plays. He is delighted on all counts. Scott has been exceptionally busy doing indie theatre over the last two years, with his work including productions of Three Sisters (Wolf Manor Theatre Collective), Titus Andronicus and Edward Albee’s The Play About The Baby (Seven Siblings), Den of Thieves (which he directed for Triple Bypass Productions) Hogtown (the largest collective in Toronto theatre history) at Campbell House, and The Trial of Judith K for Thought For Food at the TPM Backspace for which he received a Broadway World: Toronto nomination for best performance by a male in a featured role. Dad in The Dreamer Examines His Pillow (JR Theatre), Richard in Time Stands Still (Leroy Street Theatre) and Dr. Black in the dora award winning The Belle of Winnipeg (Keystone Theatre) are just a few of his other favourite stage roles. Favourite experiences in front of the camera include the films “Blood Empires”, “Phone Company Man”, “The Lady of Names”, and episodes of “My Babysitter’s a Vampire”, “Mayday”, “Aaron Stone”, and “Relic Hunter.” Watch for Scott on the festival circuit in the short films, “Fowl Play” and “Split.” He holds a BFA from the University of Windsor, and an MFA from Northern Illinois University.
What made you want to be a part of Loot?
I’ve always wanted to do one of Orton’s plays, so I was all over it as soon as I saw the audition notice.
How do you feel about your character? Do you relate to them at all? Share any of the same traits?
Truscott’s probably not the most admirable of human beings, but I love playing him. The longer I work on the role, the more I find I do have in common with him, to a greater or lesser degree, but the first thing that jumped out at me was the need to be the smartest person in the room. I’ve been trying to work on that in my personal life, but as Truscott, I can give it free reign. And of course there’s the whole wearing of women’s underclothes thing. There’s no actual mention of that in the script, but I’m pretty sure he does.
What’s been your favourite part of the rehearsal process so far?
My favourite part of the rehearsal process so far has been just getting to play in the Orton sandbox with such a talented group of playmates.
What’s your favourite thing to have come out of the 1960s?
My favourite thing to come out of the 60’s? Well, I’m dating myself here, I suppose, but . . . me. And the Rolling Stones.
Are you working on any other projects at the moment/ What might we have seen you in recently?
A web series project (which co-stars Luba Goy) that I’m involved with is being pitched to potential investors in March in NYC, so I’d love it if people could give our FB page a like: www.facebook.com/savecaptjakes/ Several episodes are already available for viewing there too. I also have several short films in the can which should be popping up at various festivals before too long: 45, Fowl Play, Split, and Roadmarks. And a feature I did a few years back, Blood Empires, is still widely available online.
Why should people come out and see the show?
Orton was ahead of his time, but sadly he didn’t live long enough to write more than a handful of plays and they don’t get done nearly enough. Here’s a rare opportunity to see one of his best, performed by a crackerjack cast. Did I mention it’s hilarious?
Anything else you want us to know?
Diet Coke is even worse for you than regular Coke.
[DIRECTOR’S NOTE: I feel this may be directed specifically at me, but I choose to ignore it!]
See Scott onstage March 8-17, 2018 at the Alumnae Theatre in Toronto. Get your tickets now!