Bygone Theatre’s Top 10 2019 Fringe Picks!

Well here we are again, Fringe time! With over 150 shows in less than 2 weeks it can be hard to narrow down what you want to see, so we’ve put together a list for all you Bygone lovers – shows featuring artists we’ve worked with or those we hope to. Enjoy!

1. Friend of Bygone Jada Rifkin

Jada has performed as Bob Burnhart’s lovely assistant in The Couples’ Game, as well as a fabulous version of the Grinch in our co-pro with Thomas Finn, The Cab(aret) Before Christmas. This Fringe, see her in two shows; Clitoria: A Sex-Positive Superhero! and Every Silver Lining.

CLITORIA: A SEX-POSITIVE SUPERHERO!

A sexually repressed high school science teacher accidentally turns herself into a sex-positive Vixen of Kink through a science experiment gone wrong. As the sex ed curriculum is scrapped in Ontario, Clitoria’s transformation wreaks havoc on her square life and her square fiancé. Musical comedy unfolds in hot, steamy, and unexpected ways!

EVERY SILVER LINING

Every Silver Lining is an original, dramedic, coming-of-age musical about illness and the perseverance of life; juxtaposing the joyful naiveté of youth, and the crushing discovery of mortality.

2. Friends of Bygone Sean Jacklin and Kevin Forster

Fringe’s Cyrano de Bergerac features 2 Bygone buddies; Sean Jacklin who played Walter Burns in His Girl Friday and Kevin Forster who played Hal in Loot.

CYRANO DE BERGERAC

Cyrano, Christina, and the Comte de Guiche vie for the affection of Roxanne, one using their wit, another their beauty, and the third . . . well any trick in the book. In the tradition of street theatre of the past, The Leslieville Players invite you to lay back on a patch of grass and watch us barrel through this new family friendly adaptation of a beloved classic. Sure Shaw and St. Lawrence are doing the show too, but we’re more fun! (and cheaper.)

3. Friends of Bygone Wesley Babcock & Whitney Hewitt

Wes Babcock was our fabulous lighting designer for our most recent production, The Rear Window. It’s hard to find a photo that does his work justice, but he managed to create chilling, dynamic lighting for a series of apartments in this thrilling suspense. Whitney Hewitt also worked on our show as our invincible stage manager! She is getting in the SM booth again for Deep End.

DEEP END

Carina’s turning 18 and is hosting the Birthday POOL Party of the year! Everyone’s invited, even Lilly. When do adults intervene in harmless harassment? What happens when life throws you into the deep end? This site specific show that happens in and around a Swimming Pool asks when does “kids will be kids,” go to far?

Please note that as this is a site specific Production the Audience will be required to remove their shoes and enter the pool deck where they will be seated on benches for the duration of the production!

4. Friend of Bygone Sarah Marchand

Sarah played The Dancing Girl in The Rear Window, but this Fringe she is working behind-the-scenes as the producer of Drink of Choice.

DRINK OF CHOICE

You walk into a bar, someone comes to take your order, and what happens next is your choice. Join us at the bar for a Choose-Your-Own-Adventure storytelling experience where the drink you order leads to personal tales about sexuality, romance, and total loss of reality. A hilarious solo show about what it means to be asexual as you navigate dating and seeking connection.

5. Friend of Bygone Nicole Byblow

Nicole was a regular staple of our Retro Radio Hour series and also performed in our Vaudeville Revue. She is doing music direction for Friendly Fire at this year’s Fringe.

FRIENDLY FIRE: THE ART AND EXECUTION OF FRIENDSHIP

Friends are great, aren’t they? Wait, are they? They must be. Otherwise we wouldn’t try so hard to make them. Or keep them. Or avoid them. Until we can cut them out… hmm. Sketch revues are great, aren’t they? This one is! Grab some pals and join us for a romp amongst the minefields of friendship. Or, come alone. We’re easy.

6. Friend of Bygone Cass Van Wyck

Cass played Hildy Johnson in His Girl Friday and this summer is in another show by popular playwright Michael Ross Albert (so buy in advance!).

THE HUNS

The morning after a break-in at a tech company, three co-workers assemble for a conference call to discuss the burglary. What starts as a civilized, professional meeting swiftly devolves into a brutal showdown that puts everyone’s careers– and their hopes for future happiness– in jeopardy.

Written by Dora-nominated playwright Michael Ross Albert (“Anywhere,” Best of Fringe 2018/Patron’s Pick) and directed by Marie Farsi (associate artistic director, Crow’s Theatre), “The Huns” is a new, menacing workplace comedy about millennial anxieties, minor revolutions, and modern-day barbarians.

7. Friend of Bygone The Vintage Taps

Tapping trip The Vintage Taps performed in our Vaudeville Revue, see them in an extended show with a bigger cast in The Laundry List at this year’s Fringe.

THE LAUNDRY LIST

It’s 1919, and Frankie’s Laundry is gunning to be the number one bootlegger in Toronto. His competition thinks otherwise, and a group of chorus girls find themselves in a showdown of guns…..and tap shoes. The Laundry List will whisk you back to the golden age of jazz, flappers and gangsters. With live music, singing, and tap dancing, this cast of 12 will leave you with a song in your heart and a skip in your step.

8. Friend of Bygone Rob Sapienza

We’ve just started working with Rob Sapienza as he is one half of Sapling theatre, the company we have teamed up with (along with Larry Silverberg) to produce Something For The Buoys this October. He is directing Tales of a Cocktail at the Fringe.

TALES OF A COCKTAIL

The classic story of an innocent man wrongly, but deliberately sent to his demise and his brilliant strategy for revenge against those who betrayed him. Dashing young mobster Edward is a guileless and honest young man whose plans to marry the beautiful Mercedes and live a better life are abruptly shattered when his best friend who wants Mercedes for himself, deceives him. Told through a Chicago 1920s lens this dance adaptation brings to life the tale of The Count Of Monte Cristo.

9. A Quirky Victorian Comedy

This one caught our eye, and although Bygone hasn’t worked with David DiFrancesco before, our AD Emily Dix has, and is sure this will be hilarious.

THREE MEN ON A BIKE

From the company that brought you the award-winning Toronto Fringe smash hit Three Men in a Boat. Based upon the further writings of Victorian author Jerome K. Jerome. Pea Green Theatre Group proudly presents Three Men on a Bike! (Being the further adventures of three Victorian gentlemen as they embark upon a disastrous bicycling trip to the continent.) Not to be missed!

10. A New Look at Reefer Madness

Being a company that produces 20th century shows that are often closely linked to cinema, Reefer Madness the musical is of course on our to-do list. We’re intrigued by this new look at a story many of us know from the stage and screen.

REEFER MADNESS: ORIGINS

During the Depression, a time when hope and prosperity is far from the American mind, a common enemy is created: the Mexican weed with roots in hell, marijuana. Known as hemp and cannabis and used industrially and medically across the globe, “marijuana” is promoted as the cause of moral depravity among young people and societal decay. With the support of powerful allies with various interests, economic or otherwise, the Federal Commissioner of Narcotics Harry Anslinger will stop at nothing to warp the image of cannabis into what will shape international drug scheduling for generations to come.

Click on any of the show titles in this list for more info like show dates & times. Be sure to check out the Fringe website for a complete list of this season’s shows.

 

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Cast Spotlight: Kevin Forster

Kevin Forster plays Hal in our upcoming production of “Loot”, running March 7-18, 2018 at the Alumnae Theatre, Toronto.

Kevin Forster plays Hal in our upcoming production of Loot; this is Kevin’s first production with Bygone Theatre.

Bio: Kevin is a graduate of the Ryerson Theatre School and is thrilled to be working with such an amazing team on this wacky and wonderful show! 

Selected Theatre: Leaf Coneybear in The 25th Annual Putnam county Spelling Bee and Marshall/Al in Seven Stories (Hart House Theatre), Peter in The Diary of Anne Frank (FSWC), Joe in Buddy: The Buddy Holly Story, Bjorn in Always Abba, and Flotsam in The Little Mermaid (The Lower Ossington Theatre), Jay in New Order (NovelSidwalk), Goneril in Cinderella, and Dopey in Balm In Gilead (Ryerson Theatre School), Clown in Bust-ed (Toronto Festival of Clowns).
Television/Film: Well Spent, Fear Thy Neighbor, God Hates A Coward, A Midsummer Nights Dream

What made you want to be a part of Loot?

Loot is a really funny script with so much potential when it is put on stage. I am a big fan of physical comedy, and this script is filled with opportunity to explore that.

How do you feel about your character? Do you relate to them at all? Share any of the same traits?

I really enjoy playing Hal. It is an interesting balance finding the humor in the scenario while keeping the truth and integrity of who he is. Also, we both love to frequent brothels, so that helps.

What’s been your favourite part of the rehearsal process so far?

My favourite part of rehearsal is playing with the other actors. Every time we run through a scene, new things are discovered. Everyone is willing to allow things to evolve and explore. It may not be right, but we won’t know until we go there.

What’s your favourite thing to have come out of the 1960s?

Non dairy creamer

Are you working on any other projects at the moment/ What might we have seen you in recently?

Recently was in a production of “The 25th Annual Putnam County Spelling Bee.” I am also in a folk rock band called “People Walking By” We play all the time so check us out! @people.walking.by

Why should people come out and see the show?

It’s a show with British accents, money, and death. What could be better? Certainly beats sitting at home swiping through dating profiles. Unless those profiles include British accents, money, and death. Then you’ve got a hard decision to make.

Anything else you want us to know?

The dot on top of the letter ‘i’ and ‘j’ is known as a tittle.

You can see Kevin onstage March 8-17, 2018 at the Alumnae Theatre.
Get your tickets today!

Cast Spotlight: Jonah McGrath

Jonah McGrath plays police inspector Meadows in Bygone Theatre’s upcoming production of the Joe Orton farce, Loot; this is Jonah’s first production with Bygone Theatre.
Bio: Jonah McGrath is a 23 year old performer from Toronto. He graduated from the Dramatic Arts program at Brock University in 2017 with a concentration in performance. Jonah has acted in a multitude of theatrical productions over the past seven years including: Play by Samuel Beckett, The Rise and Fall of the City of Mahagonny by Bertolt Brecht, The Man in the Case by Anton Chekov and many more. Jonah is ecstatic to be a part of Bygone Theatre’s Loot ensemble and for the personal artistic growth and sheer hilarity that are bound to result from such a fabulous opportunity.
What made you want to be a part of Loot?

I was instantly drawn the hilarity of the plot of Loot. For nearly as long as I’ve been an actor I have loved good comedies and more specifically good english farces. It’s also worth noting that 
have just recently moved to Toronto and I was keen for the opportunity to connect with/work with fellow theatre artists from the city.
How do you feel about your character? Do you relate to them at all? Share any of the same traits?

Meadows is an unquestioningly obedient sidekick to Truscott. As a result of his steadfast loyalty to the British police force he remains quite aloof throughout the entirety of the play. I can certainly identify with this to some degree. There have most definitely been times in my life when my unquestioning faith in social constructs have lead me into a state of aloofness.

What’s been your favourite part of the rehearsal process so far?

Well, I think that the cast that’s been assembled for this production is both infinitely talented and funny. Just being given the opportunity to observe their exploration of the script and their respective characters has been immensely funny and informative as a growing artist.

Are you working on any other projects at the moment/ What might we have seen you in recently?

At the moment, I’m also working with a group of past peers and professors from Brock University on a devised theatre piece entitled We Who Know Nothing About Hiawatha. This production will explore the extreme societal disconnect between the indigenous population and the rest of Canadian society. This show will be staged at the In The Soil Arts Festival in downtown St Catharines over the course of late April. 
Why should people come out and see the show?
Because it’s hilarious! I also believe that this piece is remarkably relevant to a modern Canadian audience. Joe Orton provides a wealth of commentary on those in positions of authority and social attitudes towards death which I think will most definitely resonate with Toronto show goers. If you’re a fan of either absurdist humour or scathing British commentary then this is the show for you!
Anything else you want us to know?
Come and check out We Who Know Nothing About Hiawatha as well as a variety of other theatrical productions and artistic exhibits at the In The Soil Arts Festival in St Catharines. The festival will run from April 27th to the 29th.
See Jonah onstage March 8-17, 2018 at the Alumnae Theatre. Tickets on sale now.

Cast Spotlight: Patrick Young

Patrick Young plays the recently widowed Mr. McLeavy in our upcoming production of Loot; this is Patrick’s first production with Bygone Theatre.

Bio: Patrick retired last year from Sheridan College, where he founded the joint actor-training program with University of Toronto Mississauga and headed it for 25 years. He directed two shows for Theatre Sheridan and twenty-something for Theatre Erindale, from The Importance of Being Earnest and The Maid’s Tragedy to Picnic and Unity (1918). He has also been Artistic Director of Dalhousie Theatre Productions, Associate Director of the Lighthouse Theatre Festival, and Director/Dramaturg of the Muskoka Festival Musical Theatre Writer’s Colony, and is the author of four award-winning biographical plays (three of them with music by Bob Ashley) as well as several adaptations of classics. In his earlier incarnation as an actor, his Toronto credits included the record-breaking hits Flicks, The Relapse, and the original production of Automatic Pilot, as well as Chinchilla and the last national tour of Spring Thaw. Elsewhere the range included Misalliance and Threepenny Opera in Boston, Uncle Vanya and Tobacco Road in Indiana, Windsor in Charlottetown, Dames at Sea in Winnipeg, Hay Fever across BC and Scapin across Ontario, plus guest starring on such TV series as The Great Detective and Night Heat.

What made you want to be a part of Loot?
As soon as I had a chance to re-read it, I knew I wanted to play Mr. McLeavy. So I looked up Bygone Theatre and was pretty impressed. Then I asked to audition and the rest is history.

How do you feel about your character? Do you relate to them at all? Share any of the same traits?

McLeavy is a breath of ostensible normality in a world gone mad. With his naïve trust in institutions and authority (at a time when we’re doubting them more than ever!), he throws the point of the play into perspective. And don’t we all wish that we had reason to get that trust back?

What’s been your favourite part of the rehearsal process so far?

We’re just starting it – it’s getting the play on its feet to explore the possibilities and test the choices. And I love working with my talented cast-mates!

What’s your favourite thing to have come out of the 1960s?

I was at university then so that’s easy: The Beatles! Though I should also mention the beginnings of the sexual revolution. We all benefit from both of them!

Are you working on any other projects at the moment/ What might we have seen you in recently?

Not yet, but my production of THE IMPORTANCE OF BEING EARNEST for Theatre Erindale was chosen one of the Ten Best shows west of Toronto in 2017 – including Stratford and Shaw (!) — by the Ontario Arts Review. I’m definitely game for more acting or directing, but as I just retired from a full-time College Professorship, I’m not in a rush. And I have travel plans!

Why should people come out and see the show?

Because it’s going to be so much fun! It’s so cynical that it’s the perfect antidote to today’s cynicism!

Anything else you want us to know?

Yes – the link to the go-fund-me campaign!

See Patrick onstage March 8-17th, 2018 at the Alumnae Theatre.
Get your tickets now!

Cast Spotlight: Kenton Blythe

Kenton Blythe is playing trouble-maker Dennis in our upcoming production of Loot. You may remember Kenton from one of our Retro Radio Hours, or from his role as Max Halliday in Dial M For Murder, back in 2013.

Renting out a professional theatre and building flats for Dial M For Murder were major costs.
Kenton Blythe and Rebekah Manella in Dial M For Murder, 2013

Bio: Kenton is excited to be farcing around with you and this awesome cast. Selected Theatre Credits include: Grey (Toronto Fringe)[Best Ensemble Nominee My Entertainment World], Heart of Steel (Next Stage Fest.) Cabaret. Juno and the Paycock (Shaw Festival), Evil Dead: The Musical (Starvox Ent. w/ Jeffery Latimer Ent.), Dial M for Murder (Bygone Theatre) Selected Film: Sandman: 24 Hour Diner (Youtube / Vimeo), Reign (The CW), Blood and Fury: America’s Civil War (AHC), Looking For Today (Canadian Film Fest.) Twitter: @KentonBlythe IG: @KentonBlythe Youtube: Kenton Blythe

What made you want to be a part of Loot?

I loved the script when I read it and I always get cast as murders and racists, so a farce is a lovely change of pace.

How do you feel about your character? Do you relate to them at all? Share any of the same traits?
Dennis is fun loving, scatter brained, and perpetually horny. Yes.
What’s been your favourite part of the rehearsal process so far?
Figuring out how to make everything I say sexual in some way. Don’t know if they’ll all make opening night…
What’s your favourite thing to have come out of the 1960s?
The Beatles, and my Aunties (All of them.)
Are you working on any other projects at the moment/ What might we have seen you in recently?
Check out my youtube channel and facebook page for highlights from the show I wrote and performed at the 120 Diner in November 2017. Conor Fitzgerald (One of the producers of this show) and I made a movie that premiered at the Canadian Film Festival in 2016 called Looking For Today which is also on Youtube. Finally you should check out the Sandman fan film I was in called Sandman: 24 Hour Diner.
Why should people come out and see the show?
We have all the comedy of a corpse without the smell.
Anything else you want us to know?
Here are all my social media outlets, you should totally follow them:
Twitter: @KentonBlythe
Instagram: @KentonBlythe
Facebook: Kenton Blythe (the page)
YouTube: Kenton Blythe
You can see Kenton Blythe onstage at the Alumnae Theatre March 8-17, 2018.
Get your tickets online now.

Cast Spotlight: Sarah Thorpe

Sarah Thorpe plays Nurse Fay in Bygone Theatre’s “Loot”. March 8-17, 2018 at Alumnae Theatre.

Sarah Thorpe plays decent Catholic Fay McMahon in the upcoming production of Loot; this is Sarah’s first production with Bygone Theatre.

Bio: Theatre artist and creative core member of Soup Can Theatre. BAH Theatre from York University. Created and performed in the award-winning one-woman show Heretic, a modern retelling of the story of Joan of Arc, in 2015. Acting credits: Gut Girls (Alumnae), Titus Andronicus (Seven Siblings), Behold, the Barfly! (Spoon Vs. Hammer/TO Fringe 2016/TO SketchFest 2017), The Comedy of Errors (Confidential Shakespeare Project), The Loyalists (Single Thread), Canadian premiere of Bare (Waters Edge), The Nightwood (Luminato), inaugural production of Tomson Highway’s Pimooteewin/The Journey (Soundstreams). Soup Can credits: directing Love is a Poverty You Can Sell 1 & 2 (TO Fringe 2010 & 2013, Best of Fringe 2010, Next Stage 2012), No Exit, Marat/Sade; producing Circle Jerk, A Hand of Bridge/No Exit double bill, Antigone (TO Fringe 2012). Producing elsewhere: Let’s Go! (DMT), Gut Girls, Behold, the Barfly!. Recent recipient of two OAC grants: mentorship in directing with Alan Dilworth through Theatre Ontario’s Professional Theatre Training Program, and a recommender grant through Volcano Theatre to create a play about Maud Wagner, the first known female tattoo artist in the US in the early 1900s. Facebook.com/SarahThorpeArtist • SoupCanTheatre.com

What made you want to be a part of Loot?

I love the satire in Loot. Nothing is sacred. It’s like a Monty Python episode in that way – everything is on the table to poke fun at.

How do you feel about your character? Do you relate to them at all? Share any of the same traits?

Without giving too much away, Faye is a master manipulator but she finds herself in a situation where those skills may not be enough to help her get what she wants. We’ve all been in situations where we find ourselves in over our heads and scramble to try to get the situation back in our control.

What’s been your favourite part of the rehearsal process so far?

It’s just a really fun room to be in. It’s a farce, so I think it’s important that the atmosphere we work in is light and absurd, in a constructive way of course.

What’s your favourite thing to have come out of the 1960s?

Lots of music: David Bowie, The Rolling Stones, The Velvet Underground, Marianne Faithfull, I could go on….

Are you working on any other projects at the moment/ What might we have seen you in recently?

I recently received a recommender grant from the Ontario Arts Council (recommended via Volcano Theatre) to create a piece about Maud Wagner: a circus artist who became the first known female tattoo artist in the US in the early 1900s. I’ll be creating this piece with two friends and colleagues, one a circus artist and one a tattoo artist. Once Loot‘s run is over, I’ll be jumping in to that! 

Why should people come out and see the show?

Need a break from reality and a couple of hours to just laugh and enjoy some ridiculous hi-jinks? Get your butts to bygonetheatre.com to get your tickets!

Anything else you want us to know?

I’m not a natural blonde 😉

See Sarah onstage March 8-17th at Alumnae Theatre. Tickets on sale now.

Relaxed Performance of Joe Orton’s “Loot”

Learn more about our Relaxed Performance of “Loot”.

As an effort to improve our inclusivity and accessibility, this season will mark our first Relaxed Performance. We have partnered with the Loot Collective to help support their production of Joe Orton’s Loot, which runs from March 8-17, 2018 at the Alumnae Theatre, 70 Berkeley St. in Toronto. In order to provide an opportunity for all to enjoy the show, we as a group have decided to make the Tuesday March 13th, 8:00pm performance a Relaxed one.

Continue reading “Relaxed Performance of Joe Orton’s “Loot””

AUDITIONS – Bygone Theatre Presents “Loot” by Joe Orton

Apply now to audition for Bygone Theatre’s next mainstage show, Joe Orton’s “Loot”!

It’s that time again! Bygone Theatre is holding auditions for its upcoming production of LOOT – here’s everything you need to know;

THE SHOW
WHAT: 
Loot, by Joe Orton, directed by Emily Dix
WHEN:  March 8-17th, 2018 (11 performances)
WHERE: Alumnae Theatre mainstage
SYNOPSIS: Only hours before her intended burial, the late Mrs. McLeavy is removed from her coffin by her son, Hal, and his best pal, Dennis, who have together just robbed a bank and need the coffin to stash the loot. Absurdity abounds in the dark, 1965 farce that examines attitudes surrounding death, police integrity, and the Catholic church.

This production is non-union, profit-share, and eligible for the Dora Awards.

CHARACTERS
All characters require the use of a British accent and excellent comedic timing.

HAL – early 20s, British, gay, the son of the recently deceased, full of Catholic guilt

DENNIS – early 20s, British, a sexual deviant & an undertaker

FAY – mid to late 20s, British, a nurse, says she’s a devout Catholic, uses her sexuality to manipulate men

MR. MCLEAVY – middle aged, British, a recent widower, old-fashioned, a devout Catholic, concerned about his son

INSPECTOR TRUSCOTT – middle aged, British, the bumbling police detective, not above bribery and violence, embodies every negative stereotype of the police force

MEADOWS – 20s-30s, a police officer (minor role)

AUDITIONS
WHAT TO DO: 
Email director Emily Dix (emily@bygonetheatre.com) with your headshot and artistic resume, and the subject line “Loot Auditions” to request an audition
WHEN: Auditions will be held on Friday December 8th and Saturday December 9th; callbacks TBA.
WHERE: Audition location will be sent to those selected for an audition

REHEARSALS
Will take place in January and February on evenings and weekends. Expect a total of 80 rehearsal hours before getting into the venue (exact schedule is made up after casting to accommodate as many people as possible).

Bygone Theatre’s 2017/18 Season

Bygone Theatre’s 2017/18 season announcement.

FOR IMMEDIATE RELEASE:
TUESDAY SEPTEMBER 26, 2017

Bygone Theatre Announces its 6th Season

TORONTO, ON (Tuesday September 26, 2017) – Now entering their sixth season, Toronto based, indie nonprofit, Bygone Theatre announces their season lineup, which includes a classic 1965 British farce, a unique night of vintage Vaudeville, and the World Premiere of a new Canadian play.

Loot Front 4_x_6

LOOT by Joe Orton
Directed by Emily Dix

England, 1965; Only hours before her intended burial, the late Mrs. Leavy is removed from her coffin by her son, Hal, and his best pal, Dennis, who have together just robbed a bank and need the coffin to stash the loot. Absurdity abounds in the dark, 1965 farce that examines attitudes surrounding death, police integrity, and the Catholic church.

This timely classic will run from March 8-17th (11 performances) at the Alumnae Theatre, 70 Berkeley St., Toronto. Casting TBA late 2017.

3.5"x2" Business Card Template

JOE by Rachel Ganz

England, 1967; Joe and Kenneth live together. Following their experience in jail for a crime they believe was just an excuse to criminalize their homosexuality, Joe and Kenneth begin planning for their future. Kenneth believes they should break up to avoid further persecution but Joe believes they should die together as a desperate statement against policy. As Kenneth attempts to leave, Joe attempts to die. The domestic dispute exemplifies the ways in which public policy can affect private living and the small flat the men share fills with tension until Kenneth kills Joe with a hammer. Inspired by the real-life murder of playwright, Joe Orton.

ABOUT RACHEL GANZ: Rachel Ganz is a Toronto-based playwright. She is a recent playwriting graduate from The National Theatre School as well as the Artistic Director of Newborn Theatre and the Co-Creator of The Odds and Ends Festival. Works include: Blip/I Didn’t Need To Know You (Newborn Theatre, 2017), Plucked (Newborn Theatre, 2016), Vacuum (The National Theatre School, 2016), The Dumb War (Newborn Theatre, 2015), Teach Me (Newborn Theatre, 2014), Rhyme Reason or Otherwise (Hart House Players, 2014), Plasterface (Newborn Theatre, 2014), The Long Run (Sunnybrook Hospital/Newborn Theatre, 2014).

Staged Reading – April 8, 2018, the Social Capital Theatre, 154 Danforth Ave., Toronto

World Premiere – June 21-23, 2018 (limited engagement, 5 performances), the Alumnae Theatre Studio, 70 Berkeley St., Toronto

VAUDEVILLE REVUE – in partnership with the Revue Cinema

A one-night-only performance of vintage Vaudeville acts combined with classic silent films. Exact date TBA.

Visit http://www.bygonetheatre.com for details and updates on casting.
Tickets: available at http://www.bygonetheatre.com/tickets
Media Contact: Artistic Executive Director Emily Dix, Emily@bygonetheatre.com, 647-343-5965