Cast Spotlight: Scott McCulloch

Scott McCulloch Bygone Theatre Loot

Scott McCulloch plays Truscott – a council employee from the Metropolitan Water Board, and certainly not a police Inspector – in our upcoming production of Joe Orton’s Loot.

Bio: Loot marks the first time in a career spanning more than 30 years, well over 100 plays and close to 50 film and television productions. that he has appeared A) with Bygone Theatre B) at the Alumnae, and C) (fulfilling a long-time ambition) in one of Mr. Orton’s plays. He is delighted on all counts. Scott has been exceptionally busy doing indie theatre over the last two years, with his work including productions of Three Sisters (Wolf Manor Theatre Collective), Titus Andronicus and Edward Albee’s The Play About The Baby (Seven Siblings), Den of Thieves (which he directed for Triple Bypass Productions) Hogtown (the largest collective in Toronto theatre history) at Campbell House, and The Trial of Judith K for Thought For Food at the TPM Backspace for which he received a Broadway World: Toronto nomination for best performance by a male in a featured role. Dad in The Dreamer Examines His Pillow (JR Theatre), Richard in Time Stands Still (Leroy Street Theatre) and Dr. Black in the dora award winning The Belle of Winnipeg (Keystone Theatre) are just a few of his other favourite stage roles. Favourite experiences in front of the camera include the films “Blood Empires”, “Phone Company Man”, “The Lady of Names”, and episodes of “My Babysitter’s a Vampire”, “Mayday”, “Aaron Stone”, and “Relic Hunter.” Watch for Scott on the festival circuit in the short films, “Fowl Play” and “Split.” He holds a BFA from the University of Windsor, and an MFA from Northern Illinois University.

What made you want to be a part of Loot?

I’ve always wanted to do one of Orton’s plays, so I was all over it as soon as I saw the audition notice.

How do you feel about your character? Do you relate to them at all? Share any of the same traits?

Truscott’s probably not the most admirable of human beings, but I love playing him. The longer I work on the role, the more I find I do have in common with him, to a greater or lesser degree, but the first thing that jumped out at me was the need to be the smartest person in the room. I’ve been trying to work on that in my personal life, but as Truscott, I can give it free reign. And of course there’s the whole wearing of women’s underclothes thing. There’s no actual mention of that in the script, but I’m pretty sure he does.

What’s been your favourite part of the rehearsal process so far?

My favourite part of the rehearsal process so far has been just getting to play in the Orton sandbox with such a talented group of playmates.

What’s your favourite thing to have come out of the 1960s?

My favourite thing to come out of the 60’s? Well, I’m dating myself here, I suppose, but . . . me. And the Rolling Stones.

Are you working on any other projects at the moment/ What might we have seen you in recently?

A web series project (which co-stars Luba Goy) that I’m involved with is being pitched to potential investors in March in NYC, so I’d love it if people could give our FB page a like: www.facebook.com/savecaptjakes/ Several episodes are already available for viewing there too. I also have several short films in the can which should be popping up at various festivals before too long: 45, Fowl Play, Split, and Roadmarks. And a feature I did a few years back, Blood Empires, is still widely available online.

Why should people come out and see the show?

Orton was ahead of his time, but sadly he didn’t live long enough to write more than a handful of plays and they don’t get done nearly enough. Here’s a rare opportunity to see one of his best, performed by a crackerjack cast. Did I mention it’s hilarious?

Anything else you want us to know?
Diet Coke is even worse for you than regular Coke.
[DIRECTOR’S NOTE: I feel this may be directed specifically at me, but I choose to ignore it!]

See Scott onstage March 8-17, 2018 at the Alumnae Theatre in Toronto. Get your tickets now!

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The Loot Collective Presents Joe Orton’s LOOT

Loot Collective Bygone Theatre Toronto

FOR IMMEDATE RELEASE:
MONDAY JANUARY 8, 2018

The Loot Collective Presents Joe Orton’s 1960s Farce

LOOT

TORONTO, ON (Monday January 8, 2018) – Bygone Theatre has partnered with the Loot Collective to support their production of Loot, running March 8-17th, 2018 at the Alumnae Theatre, 70 Berkeley St., Toronto. This is a Canadian Actor’s Equity Association production under the Artist’s Collective Policy. Directed by Emily Dix.

SYNOPSIS

England, 1965; Only hours before her intended burial, the late Mrs. McLeavy is removed from her coffin by her son, Hal (Kevin Forster), and his best pal, Dennis (Kenton Blythe), who have together just robbed a bank and need the coffin to stash the loot. The boys try to hide the corpse from the recently widowed McLeavy (Patrick Young) and his deceased wife’s nurse, Fay (Sarah Thorpe), but with Inspector Truscott (Scott McCulloch) hot on their heels, their plan quickly begins to unravel. Absurdity abounds in this dark, 1965 farce that examines attitudes surrounding death, police integrity, and the Catholic church.

ABOUT THE CAST

Patrick Young Bygone Theatre Loot

Patrick Young is Mr.McLeavy in “Loot”.

Patrick Young (Mr.McLeavy) has had an extensive career on and off stage, and may be best known in Toronto for his work at Sheridan College, where he founded the joint actor training program with the University of Toronto Mississauga. He is the author of 4 award-winning biographical plays, and has an extensive directing resume. Past acting credits in Toronto include Flicks, The Relapse and the original production of Automatic Pilot.

 

Scott McCulloch Bygone Theatre Loot

Scott McCulloch is Inspector Truscott in “Loot”.

Scott McCulloch (Truscott) has had a career spanning over 30 years, 100 plays and nearly 50 films. Recent credits include the immersive production Hogtown at Campbell House, the Wolf Manor Theatre production of Three Sisters, and the Thought For Food production of The Trial of Judith K for which he received a Broadway World Toronto nomination of Best Performance by a Male in a Featured Role.

Kenton Blythe Bygone Theatre Loot

Kenton Blythe is Dennis in “Loot”.

Kenton Blythe (Dennis), was most recently seen in the Toronto Fringe hit, Grey. Other stage credits include the Starvox Entertainment production of Evil Dead: The Musical, and a stint at the Shaw Festival, where he was seen in Juno and the Paycock and Cabaret. You may also remember Kenton from Bygone Theatre’s 2013 production of Dial M For Murder.

Sarah Thorpe Bygone Theatre Loot

Sarah Thorpe is Fay in “Loot”.

Sarah Thorpe (Fay) is a multi-talented theatre artist and a core creative member of Soup Can Theatre. She created and performed in the award-winning one-woman show Heretic, a modern retelling of Joan of Arc, in 2015, and has more recently been seen in Toronto Fringe Hit, Behold! The Barfly! and Gut Girls at Alumnae Theatre.

Kevin Forster Bygone Theatre Loot

Kevin Forster as Hal in “Loot”.

Kevin Forster (Hal) is a graduate of the Ryerson Theatre School and has been featured in several productions at the Lower Ossington Theatre, including The Buddy Holly Story, Always ABBA and The Little Mermaid. He has also performed at Hart House Theatre and in the Toronto Festival of Clowns.

Jonah McGrath Bygone Theatre Loot

Jonah McGrath is Meadows in “Loot”.

Jonah McGrath (Meadows) is a recent graduate of the Brock University Dramatic Arts program. Recent credits include Play by Samuel Beckett, The Rise and Fall of the City of Mahagonny and Chekov’s The Man in the Case.

ABOUT THE DIRECTOR

Emily Dix Bygone Theatre Director Producer

Director/ Producer, Emily Dix.

Emily Dix is a founding member and the Artistic Executive Director of Bygone Theatre. As a producer, she has worked with Tarragon Theatre and Theatre 20, and has produced all of Bygone Theatre’s productions to date. She got her start directing at the University of Toronto, working on shows such as the Hart House Theatre production of The Night of The Iguana as an assistant director, and directing a number of shows for the campus colleges. Bygone Theatre directing credits include; His Girl Friday; Vaudeville Revue; Wait Until Dark; Rope; Dial M For Murder and Doubt: A Parable. In addition to directing, Emily does the costume design for all of Bygone Theatre’s productions.

PERFORMANCE SCHEDULE
Thursday March 8 – Saturday March 10, 8:00pm
Tuesday March 13 – Saturday March 17, 8:00pm
Saturday March 10, Sunday March 11, Saturday March 17, 2:00pm matinee

Tickets: On-sale now. Available at https://loot.bpt.me

Media Contact: Producer Emily Dix, Emily@bygonetheatre.com, 647-343-5965
Twitter: @BygoneTheatre |FB: Facebook.com/BygoneTheatre |Insta: @BygoneTheatre

For group sales, press access or to request accommodation, please email Emily@bygonetheatre.com.

 This production is being produced by The Loot Collective and is being supported by
Bygone Theatre.