Bygone Theatre’s Top 10 2019 Fringe Picks!

Well here we are again, Fringe time! With over 150 shows in less than 2 weeks it can be hard to narrow down what you want to see, so we’ve put together a list for all you Bygone lovers – shows featuring artists we’ve worked with or those we hope to. Enjoy!

1. Friend of Bygone Jada Rifkin

Jada has performed as Bob Burnhart’s lovely assistant in The Couples’ Game, as well as a fabulous version of the Grinch in our co-pro with Thomas Finn, The Cab(aret) Before Christmas. This Fringe, see her in two shows; Clitoria: A Sex-Positive Superhero! and Every Silver Lining.

CLITORIA: A SEX-POSITIVE SUPERHERO!

A sexually repressed high school science teacher accidentally turns herself into a sex-positive Vixen of Kink through a science experiment gone wrong. As the sex ed curriculum is scrapped in Ontario, Clitoria’s transformation wreaks havoc on her square life and her square fiancé. Musical comedy unfolds in hot, steamy, and unexpected ways!

EVERY SILVER LINING

Every Silver Lining is an original, dramedic, coming-of-age musical about illness and the perseverance of life; juxtaposing the joyful naiveté of youth, and the crushing discovery of mortality.

2. Friends of Bygone Sean Jacklin and Kevin Forster

Fringe’s Cyrano de Bergerac features 2 Bygone buddies; Sean Jacklin who played Walter Burns in His Girl Friday and Kevin Forster who played Hal in Loot.

CYRANO DE BERGERAC

Cyrano, Christina, and the Comte de Guiche vie for the affection of Roxanne, one using their wit, another their beauty, and the third . . . well any trick in the book. In the tradition of street theatre of the past, The Leslieville Players invite you to lay back on a patch of grass and watch us barrel through this new family friendly adaptation of a beloved classic. Sure Shaw and St. Lawrence are doing the show too, but we’re more fun! (and cheaper.)

3. Friends of Bygone Wesley Babcock & Whitney Hewitt

Wes Babcock was our fabulous lighting designer for our most recent production, The Rear Window. It’s hard to find a photo that does his work justice, but he managed to create chilling, dynamic lighting for a series of apartments in this thrilling suspense. Whitney Hewitt also worked on our show as our invincible stage manager! She is getting in the SM booth again for Deep End.

DEEP END

Carina’s turning 18 and is hosting the Birthday POOL Party of the year! Everyone’s invited, even Lilly. When do adults intervene in harmless harassment? What happens when life throws you into the deep end? This site specific show that happens in and around a Swimming Pool asks when does “kids will be kids,” go to far?

Please note that as this is a site specific Production the Audience will be required to remove their shoes and enter the pool deck where they will be seated on benches for the duration of the production!

4. Friend of Bygone Sarah Marchand

Sarah played The Dancing Girl in The Rear Window, but this Fringe she is working behind-the-scenes as the producer of Drink of Choice.

DRINK OF CHOICE

You walk into a bar, someone comes to take your order, and what happens next is your choice. Join us at the bar for a Choose-Your-Own-Adventure storytelling experience where the drink you order leads to personal tales about sexuality, romance, and total loss of reality. A hilarious solo show about what it means to be asexual as you navigate dating and seeking connection.

5. Friend of Bygone Nicole Byblow

Nicole was a regular staple of our Retro Radio Hour series and also performed in our Vaudeville Revue. She is doing music direction for Friendly Fire at this year’s Fringe.

FRIENDLY FIRE: THE ART AND EXECUTION OF FRIENDSHIP

Friends are great, aren’t they? Wait, are they? They must be. Otherwise we wouldn’t try so hard to make them. Or keep them. Or avoid them. Until we can cut them out… hmm. Sketch revues are great, aren’t they? This one is! Grab some pals and join us for a romp amongst the minefields of friendship. Or, come alone. We’re easy.

6. Friend of Bygone Cass Van Wyck

Cass played Hildy Johnson in His Girl Friday and this summer is in another show by popular playwright Michael Ross Albert (so buy in advance!).

THE HUNS

The morning after a break-in at a tech company, three co-workers assemble for a conference call to discuss the burglary. What starts as a civilized, professional meeting swiftly devolves into a brutal showdown that puts everyone’s careers– and their hopes for future happiness– in jeopardy.

Written by Dora-nominated playwright Michael Ross Albert (“Anywhere,” Best of Fringe 2018/Patron’s Pick) and directed by Marie Farsi (associate artistic director, Crow’s Theatre), “The Huns” is a new, menacing workplace comedy about millennial anxieties, minor revolutions, and modern-day barbarians.

7. Friend of Bygone The Vintage Taps

Tapping trip The Vintage Taps performed in our Vaudeville Revue, see them in an extended show with a bigger cast in The Laundry List at this year’s Fringe.

THE LAUNDRY LIST

It’s 1919, and Frankie’s Laundry is gunning to be the number one bootlegger in Toronto. His competition thinks otherwise, and a group of chorus girls find themselves in a showdown of guns…..and tap shoes. The Laundry List will whisk you back to the golden age of jazz, flappers and gangsters. With live music, singing, and tap dancing, this cast of 12 will leave you with a song in your heart and a skip in your step.

8. Friend of Bygone Rob Sapienza

We’ve just started working with Rob Sapienza as he is one half of Sapling theatre, the company we have teamed up with (along with Larry Silverberg) to produce Something For The Buoys this October. He is directing Tales of a Cocktail at the Fringe.

TALES OF A COCKTAIL

The classic story of an innocent man wrongly, but deliberately sent to his demise and his brilliant strategy for revenge against those who betrayed him. Dashing young mobster Edward is a guileless and honest young man whose plans to marry the beautiful Mercedes and live a better life are abruptly shattered when his best friend who wants Mercedes for himself, deceives him. Told through a Chicago 1920s lens this dance adaptation brings to life the tale of The Count Of Monte Cristo.

9. A Quirky Victorian Comedy

This one caught our eye, and although Bygone hasn’t worked with David DiFrancesco before, our AD Emily Dix has, and is sure this will be hilarious.

THREE MEN ON A BIKE

From the company that brought you the award-winning Toronto Fringe smash hit Three Men in a Boat. Based upon the further writings of Victorian author Jerome K. Jerome. Pea Green Theatre Group proudly presents Three Men on a Bike! (Being the further adventures of three Victorian gentlemen as they embark upon a disastrous bicycling trip to the continent.) Not to be missed!

10. A New Look at Reefer Madness

Being a company that produces 20th century shows that are often closely linked to cinema, Reefer Madness the musical is of course on our to-do list. We’re intrigued by this new look at a story many of us know from the stage and screen.

REEFER MADNESS: ORIGINS

During the Depression, a time when hope and prosperity is far from the American mind, a common enemy is created: the Mexican weed with roots in hell, marijuana. Known as hemp and cannabis and used industrially and medically across the globe, “marijuana” is promoted as the cause of moral depravity among young people and societal decay. With the support of powerful allies with various interests, economic or otherwise, the Federal Commissioner of Narcotics Harry Anslinger will stop at nothing to warp the image of cannabis into what will shape international drug scheduling for generations to come.

Click on any of the show titles in this list for more info like show dates & times. Be sure to check out the Fringe website for a complete list of this season’s shows.

 

Bygone Theatre’s 2018 Toronto Fringe Picks

It’s almost that time again! The Toronto Fringe is running this summer from July 4-15th and we can’t wait to see some of our favourite actors up onstage. Here’s our must-see list (in no particular order) for the 2018 Toronto Fringe. Note: blurbs come from the productions themselves.

Final Exam.

 

Written by Eric Petersen, directed by Gillian Armstrong
The students of Mr. Miller’s class are troubled by the thought of their upcoming exams … while others are more worried their minds will soon be hooked up into a new group-mind by aliens.

The students debate the pros and cons of gaining instantaneous knowledge by suddenly having the ability to access anyone’s mind. Does privacy really matter? How do we maintain our identity? Will we still have to take exams?

See friend of Bygone Elizabeth Rose Morriss (Rope, His Girl Friday, Vaudeville Revue and many Retro Radio Hours) in this quirky site-specific play the Matty Eckler Recreation Centre. Get your tickets here.

Anywhere

 

Written by Michael Ross Albert
directed by David Lafontaine

A young businesswoman returns to her AirBnB to find that her host has been waiting up for her. What started as a cordial relationship between strangers begins to steadily escalate into a tense and unnerving battle for control.

In this new thriller by Dora-nominated playwright Michael Ross Albert, two women face off against each other in a struggle for meaning, connection, and power.

See friend of Bygone Cass Van Wyck (Hildy in His Girl Friday) in this startling new thriller at the Factory Theatre. Tickets available here.

 2018: A Sex Odyssey

 

Written & directed by Theresa Ramirez

2018: A Sex Odyssey re-imagines life in space, Big Brother style, as we careen towards a post-climate change future – focussing on sex, relationships and the interpersonal dramas of six twenty-somethings living together on a spaceship. It begins three months into a two year journey to populate the planet Mars, due to the near total destruction of planet Earth as a direct result of human caused climate change and the wars that ensued. Still, no one really cares about climate change.

Check out friend of Bygone Alex Clay (McCue in His Girl Friday) in this re-imagined comedy/sci-fi playing at St.Vladimir’s Institute – tickets available here.

A Kev ‘n Cal Mystery

 

Written by Allan Turner and Christopher L. Hedrick
Directed by Nigel Downer

Kev ‘n Cal are two mystery solving brothers, boy adventurers on the trail of trouble across dimensions ending up on the wrong side of reality. Danger! Foul play! Puberty! Whatever the risks, Kev ‘n Cal can always count on each other. Or can they?

See friend of Bygone Allan Turner (who performed as his alter-ego, Mullet in our Vaudeville Revue) in what’s sure to be a comedy riot. Tickets available here.

The Queen’s Eulogy

 

Written by Rachel Ganz
Directed by Tanua Rintoul 

Set in a garbage world. Performed in a garbage dump. A play about women who refuse to be trash. We are literally building a theatre in a garbage dump. You gotta check it out! Book. your ticket, share this event. Come get TRASHY.

Written by friend of Bygone Rachel Ganz (the brilliant playwright behind Joe, a play that has been being workshopped this season) this production is sure to be brilliant and outrageous. Get your tickets here.

The Girl in the Photograph

 

Written by Joel Pettigrew
Directed by Victoria Urquhart

“The Girl in the Photograph” is a play based on a true story set in Mexico, telling the story of Paula, who gets caught up in a forbidden first love amidst a whirlwind of emotion and drama. The play leads us by the hand as we witness the development of a teen relationship with intricate consequences that have on everyone it touches. More than the sum of its parts as a drama, there are also several themes and thought-provoking subjects being explored: how can love develop even when circumstances would forbid it? What is that strength that carries us through moments of manipulation, how does it activate, and how did it come to be in us? In addition to the story being set in Mexico, this show is a proudly latino production with a Hispanic cast, boasting the well-established actors and artists of Toronto and Canada.

Friend of Bygone David Chinchilla (who performed in our first ever Retro Radio Hour) is performing in this new drama. Get your tickets here.

Want to see what else is on at this year’s Fringe?
Check out the program guide on their website.

A Summer of Fringe – More Festival Picks

More Fringe Festival picks, this time for shows playing outside of Toronto.

While we are based in Toronto, our talented friends go all over to perform. You recently saw our Top 5 Toronto Fringe Festival list, now it’s time for our Top Fringe Picks that are outside of Toronto, again, all feature a “Friend of Bygone”. Why not take a mini road-trip and check these out? We plan to!

Turtleneck – Storefront Fringe Festival, Kingston, ON (Sean Jacklin)

Turtleneck - 2017 Storefront Fringe Festival, Kingson

Synopsis: Vick is a recovering sex addict on a road to recovery. Along the way she befriends Darcy, a rehabilitation worker. Things seem to be going well for her until she accidentally meets Darcy’s volatile sex-obsessed older brother. What follows is a spiralling chain of events that threatens her new life and the lives of everyone around her. Turtleneck is a dark comedy about sex addiction, pornography, gender roles and the exploration of human limitations.

Featuring: Sean Jacklin, Annie Tuma, Karen Scobie, Bryce Fletch, Steven Vlahos

Sean Jacklin: Recently played hard-boiled newspaper editor Walter Burns in our production of His Girl Friday. Sean is a natural onstage, easily switching between comedy and drama, he can steal the show in any scene he’s in. Definitely worth the drive to Kingston.

Venue:  177 Princess St (formerly XO Lounge), Kingston, ON K7L 1A9

Showtimes: Time is running out on this one! All that remains are;
Friday June 30, 10:30pm
Saturday July 1, 2:00pm

Some Of Us Pretend – Hamilton Fringe Festival (Alex Clay)

Some Of Us Pretend - 2017 Hamilton Fringe Festival

Synopsis: A chance encounter between a painter and a writer plants a seed that promises to blossom, that is, until the death of a stranger. What can one do when all they feel is blame? Is it selfish to use art to help heal that pain? Some of us Pretend is a new play by Bricks n’Sticks Productions, the company that brought you Scribe! at the 2015 Hamilton Fringe Festival.

Featuring: Alex Clay, Brittany Cope and Melinda Jordan

Alex Clay: Alex recently performed as McCue in His Girl Friday, and has also been involved in our Retro Radio Hour performances. He’s a talented and versatile performer, and a super great guy – go see his show. You’ll be glad you did.

Venue: The Player’s Guild of Hamilton, 80 Queen Street South
Hamilton, Ontario, ON L8P3R8. 

Showtimes:
July 21 @ 6:00pm
July 22 @ 9:30pm
July 23 @ 8:00pm
July 25 @ 7:30pm
July 27 @ 9:30pm
July 28 @ 5:00pm
July 29 @ 4:00pm

The Blue Bird – Hamilton Fringe Festival (Eric Lehmann)

The Blue Bird - 2017 Hamilton Fringe Festival.

Synopsis: Human beings are very odd! Since the death of the Fairies, they see nothing at all and they never suspect it! With the help of a magical diamond, Mytyl is able to finally see the souls of all the things around her. As she embarks on a perilous and exciting journey in search for the mysterious Blue Bird of Happiness, she discovers exactly how much she has been missing. But does she find the Blue Bird?

Featuring: Monique Stinchcombe, Constantine Karzis, Kelly McAllister, Kasha Pinel, Tanisha Sinclair, Marisa McDonald, Eric Lehmann, Jared Doke, Anjali Rai, Holly Pace and Alyssa Blasak.

Eric Lehmann:  You may remember Eric from one of our Retro Radio Hour shows, or from his performances at our Vaudeville Revue. Don’t believe there’s any singing in this one, but we’re excited to see what he’s up to!

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Elizabeth Rose Morriss and Eric Lehmann in Bygone Theatre’s Vaudeville Revue

Venue: Aquarius Studio, 190 King William St., Hamilton, ON.

Showtimes:
Fri July 21: 8:30pm
Sun July 23: 3:00pm
Mon July 24: 6:00pm
Wed July 26: 8:00pm
Fri July 28: 6:00pm
Sat July 29: 9:00pm
Sun July 30: 3:30pm

 

Bygone Theatre’s Top 5 Toronto Fringe Picks 2017

Bygone Theatre’s Top 5 Picks for the 2017 Toronto Fringe Festival.

As always, here’s our round-up of the Top 5 2017 Toronto Fringe shows we think you should see – we know they’re gonna be great because they feature past Bygone artists! Check it out:

32 Short Sketches About Bees (Shannon Lahaie)

32 Short Sketches About Bees - 2017 Toronto Fringe

Synopsis: It started out as a bet: could this team put together a sketch comedy show with thirty two sketches about bees – any kind of bees, from honey bees to the letter B to Bea Arthur (if we can get the impression right) – in sixty minutes? Maybe they will. Maybe they won’t. Let’s find out!

Featuring: Created by Andrew Bushell (Bad Dog), Leigh Cameron (Second City), Claire Farmer (Dame Judy Dench), Jessica Greco (Dame Judy Dench), Shannon Lahaie (Dame Judy Dench), Chris Leveille (Dame Judy Dench), and Cameron Wyllie (O Dat Dum), and directed by Paul Bates (Second City).

Shannon Lahaie: You may remember Shannon as Susy in Wait Until Dark. While she did a stunning job as a young, blind housewife in this suspense drama, Shannon’s greatest strength is in comedy. I saw her last year in Everything Else Is Sold Our and it was absolutely brilliant. With many of the same faces onstage this year, I know this show will be a hit.

 

Caitlin & Eric Are Broken Up (Caitlin Robson, Eric Miinch)

Caitlin And Eric Are Broken Up - 2017 Toronto Fringe

Synopsis: Newly-Singles Caitlin and Eric walk into a bedroom… and go on a painfully funny rebound to look back on their past relationships.

Featuring: Misery loves company! At a story-telling event in 2015, Eric Miinch (Fratwurst Comedy, Behold the Barfly Fringe 2016) told the audience a funny story from his personal heartache, and Caitlin Robson (Karenin’s Anna, Fringe 2014) countered with one from hers. Realizing what they had, they teamed up with Director Jess Beaulieu (Crimson Wave Comedy & Podcast), and through some improv, roleplay and imagination, they devised this candid, laugh-til-you-cry dialogue about love lost, and the art of moving on.
#CEBrokenUp

Caitlin Robson: You may remember Caitlin from her role as Miss Jeffries in our 2015 production of Rope. While this was another drama, Caitlin showed off her comedic timing at our Retro Radio Hour – Suspense! fundraiser, and I can’t wait to see her in this original show.

Eric Miinch: Eric played the sinister Mr.Roat in last year’s production of Wait Until Dark. While he made for an excellent villain, it was very against his character, and almost felt like a waste not giving him a chance to show off his comedic improv skills. Eric shines in comedy, I can’t wait to see him in this.

Confidential Musical Theatre Project (June 9 – Elizabeth Rose Morriss)

Confidential Musical Theatre Project - 2017 Toronto Fringe

SynopsisOur casts are given their scripts and scores and asked to familiarize themselves with their roles – but not to reveal the show title or their role in it to anyone. With no rehearsals, the cast and crew meet for the first time one hour before the performance begins. The audience shows up with no knowledge of what show they’re about to see. The only rule: don’t stop. No matter what.

Featuring: It varies, but we recommend the June 9th performance as it features the lovely Elizabeth Rose Morriss!

Elizabeth Rose Morriss: Liz has been a Bygone staple from the beginning. You may remember her from her role as Miss Kentley in RopeGertrude Baldwin in His Girl Friday, her performances at our Vaudeville Revue, or from one of our many Retro Radio Hour shows. CMTP is an ambitious project at any time, but doing them for a Fringe sounds incredibly challenging. Liz is a wonderful actor and a beautiful singer, so you know that, regardless of what the show is, the June 9th performance is going to be great.

On The Inside (Ryan Kotack)

On The Inside - 2017 Toronto Fringe

Synopsis: On The Inside is a docutheatre production inspired by Ashley Smith, a young female inmate from New Brunswick. Convicted of a minor infraction, Ashley later spent nearly three years in solitary confinement. This piece takes a close look at the effects of solitary on a young person and the hunger for relationships. Shame and vulnerability reveal themselves at different moments in the lives of an inmate, nurse and two prison guards. Each character journeys through the contrast between a harsh penal system and the reality of our universal desperation to be felt, heard and seen.

Featuring: Harry Lavigne, Ryan Christopher Kotack, Marnie Wohl Bennett, Kelechi Ofoha.

Ryan Kotack: Ryan was recently seen as Murphy in His Girl Friday, and before that as a cop in Wait Until Dark. In both of these roles, as well as others I’ve seen him in, he plays a gritty, disillusioned tough guy, and with the sound of this show I think he’s well cast and will be right at home – can’t wait.

Grey (Kenton Blythe)

Grey - 2017 Toronto Fringe

Synopsis: Twelve years ago Richard Buttle killed Jayden Alexander. Today is the day of his parole hearing. Jumping through time, the circumstances that lead to the crime begin to unravel. Who is really to blame? Not everything is as black and white as one would like to perceive.

Featuring: Kenton Blythe, Andrea Carter, Kion Flatts, Mandy Roveda, Asante Tracey and Veshone Cunningham.

Kenton Blythe : You may remember Kenton from way back in 2013, when we mounted our second ever production, Dial M For Murder. Kenton played loveable crime-writer Max. Since then he’s gone on to perform in a tour of Evil Dead; The Musical and to do a season at the Shaw Festival. Can’t wait to see him onstage here at home!

 

The Toronto Fringe Festival has an amazing 160 ticketed events, as well as over 50 free, drop-in events – so get out there and get Fringing!

-E.

Crew Spotlight: Emily Dix

Emily Dix is directing, producing, designing and stage managing HIS GIRL FRIDAY – learn more in her #crewspotlight.

25.pngEmily Dix is the Artistic Executive Director of Bygone Theatre, and is directing, stage managing, designing and producing His Girl Friday. Emily has produced all of Bygone’s shows and directed 5 of the 6, with this now being her 7th.

Bio: Emily Dix is a Toronto based theatre artist, a “jack of all trades” who has worked as a director, producer, stage manager, set & costume designer and performer. In 2008 she moved to the city to attend UofT and quickly became involved with companies on campus, like Victoria College Drama, the UC Follies, St. Mike’s Drama and Hart House Theatre. In 2012, she founded Bygone Theatre, a company which she still runs today as the Artistic Executive Director. Emily has worked as a producer for Theatre 20 and as the assistant producer at Tarragon Theatre, as well as a production assistant for Poculi Ludique Societas, the PR Manager for the Social Capital Theatre, and numerous other freelance positions. In addition to her work in theatre, Emily is a vintage lover and avid collector. She owns an Etsy shop, Tucked Away Antiques, that specializes in small vintage items and digital downloads. Emily has also dabbled in design, making web sites and posters for local artists. For past credits and more information, visit her website, www.emilydix.com.

What made you want to mount His Girl Friday?

While not a conscious decision, I realized that all of the shows Bygone had mounted so far were either dramas, or at the very least rather dark comedies. I never intended for us to stick to style like that so when I was planning our 2016/17 season I knew I wanted a comedy. I had a list of several that had caught my eye, but one day I stumbled across a list of films that were currently in the public domain, and couldn’t believe His Girl Friday was one of them! I was going to write the adaptation myself, but my uncle, Craig Dix, had recently sent me a radio of script of his he’d done, so I asked him if he’d like to do it, and the answer was an enthusiastic “yes”. It’s a great story, with a large and diverse cast, strong female lead AND in the public domain – how could I not want to put it on?

What do you love about the show?

It really is very funny. I love the fast-paced dialogue and the opportunity for cheesy, over-the-top humour. While there are certainly complications with having such a large cast, I did want to be able to include a lot of people, so the size of it appeals to me as well. Plus, I love stories that include a great romance, without it being the central part of the story. It keeps things endearing but not sappy, and makes for a plot everyone can enjoy.

Which role – director, producer, designer, stage manger – have you found most challenging? Why?

I think with this one, I’d have to say director, simply because of the size of the cast. While I did the first round of auditions very early December, it took a very long time to get everything cast; I’m glad I held out for the right actors, but it has been stressful not having the whole group. As producer, it’s always stressful because there is a lot of money on the line, but I feel like I’ve done it enough by now that I have a pretty solid idea of what it takes, and just look at past show reports to calm myself when I start worrying about whether we’ll be able to make rent.

What has been the most rewarding part of the process so far?

Seeing the advances the cast has made. Like I said, big show, lots of fast-talking dialogue, it’s not an easy play. It’s exhausting, especially for the leads. But I’ve got an amazingly talented cast, and every rehearsal they’re leaps and bounds above where they were before, so it’s super fun and rewarding to see them get comfortable in their roles and play with a lot of the silliness that is there in the script. It’s going to be a funny show.

Why should people come and see the show?

It’s so much fun. Fast-paced, goofy, it’ll have you laughing and on the edge of your seat. Not to mention we’ve got a huge cast, so if you’re in the local theatre scene, chances are you know someone involved! Come out and support Toronto Theatre.

Anything else we should know?

Sadly, it’s a very limited engagement, just one weekend. So there are only 5 chances for the public to come and see the show; Thursday March 2, 8:00pm; Friday March 3, 8:00pm; Saturday March 4, 2:00pm and 8:00pm; Sunday March 5, 2:00pm. We encourage you to buy your tickets in advance, which can be done through the Native Earth box office, at www.nativeearth.ca/hisgirlfriday. Hope to see you there!

Cast Spotlight: Elizabeth Rose Morris

Elizabeth Rose Morriss plays Gertrude Baldwin in the classic screwball comedy, His Girl Friday, March 2-5, 2017.

elizabeth-rose-morriss-headshotElizabeth Rose Morriss plays uptight Gertrude Baldwin in His Girl Friday. You may remember Liz from her role as Miss Kentley in Rope and as a performer in our Vaudeville Revue, as well as numerous Retro Radio Hours. She is also currently on the Bygone Theatre Board of Directors.

Bio: Elizabeth Rose Morriss most recently performed as Anne Egerman in A Little Night Music (Confidential Musical Theatre Project), as Adella in The Little Mermaid (Lower Ossington Theatre), and as Margot Frank in The Diary of Anne Frank (Plain Stage Theatre Company). Previous Bygone Theatre roles include Miss Kentley in Rope, singer in the Vaudeville Revue, and a regular performer in their Retro Radio Hour shows.
She has degrees in Music Theatre (Acadia University) and Education (Nipissing University), is currently on the Board of Directors of Bygone Theatre, and does Marketing for the Toronto Confidential Musical Theatre Project. Keep up with Elizabeth online: Twitter and Instagram @lizrosemorriss, and facebook.com/elizabethrosemorriss.

screenshot-2016-06-23-23-41-49

How did you hear about Bygone Theatre and this production of His Girl Friday?

Emily Dix directed a play I was in with Newborn Theatre, and I’ve been happy to be involved since the beginning of Bygone Theatre! I’m currently on the Board of Directors, and was intrigued from the first time Emily announced His Girl Friday as the next mainstage play.

What made you want to be involved?/ what do you love about the story?

I love the snappy, very stylized 1940s dialogue. The whole script is so witty and fast-paced, it’s a lot of fun!

What’s your favourite old movie?

I love a lot of old movies, mostly musicals, but my favourite has to be Singin’ in the Rain.

Have you been in a show like this before? What else might people have seen you in recently?

10815586_10152361847452583_1848336034_o
Ian McGarret as Mr. Kentley and Elizabeth Rose Morriss as Miss Kentley in Rope, 2014.

In 2014, I played Miss Kentley in Bygone Theatre’s production of Rope—different decade and not a comedy, but also a period piece, and also a play with a classic movie version. Most recently I played Anne Egerman in A Little Night Music (Confidential Musical Theatre Project), Adella in The Little Mermaid (Lower Ossington Theatre), and was a singer in Bygone’s Vaudeville Revue.

Why should people come and see the show?

For fun, entertaining vintage comedy!

See Liz live onstage this March in His Girl Friday – tickets available online.

Performer Spotlight: Nicole Byblow

Today’s performer spotlight is on one of our Retro Radio Hour regulars, Nicole Byblow. A trained singer and huge Judy Garland fan, Byblow is performing two songs that (while written in the 1910s) Judy performed in her early films.

gene-and-judy-garland-in-for-me-and-my-gal-1942
Gene Kelly & Judy Garland performing a Vaudeville routine in For Me And My Gal

Bio: Nicole Byblow is a graduate of the Berklee affiliate Selkirk College Contemporary Music and Technology program in Nelson, British Columbia. She works in Toronto as a pianist and singer.

Among her career highlights Nicole counts performing at the Juno Awards Industry Gala and recording and performing with Juno award winner Buck 65.

She is thrilled to have had the opportunities, through her involvement with Bygone Theatre, to perform her favourite music from the golden era of show business.

Want to catch Nicole Byblow onstage? Get your tickets online now – only 2 shows left!

Toronto’s Top 10 Lost Vaudeville Theatres

In planning for Vaudeville Revue we’ve learned a lot about Toronto’s former Vaudeville theatres that have disappeared over the years. Whether they were converted into something for a new use or demolished altogether, the are very few Vaudeville palaces still standing in our city today.

Here’s a look at some of the greats that have been lost over the past century.

1. Shea’s Hippodrome

f1231_it0840a1-sheas-1953-ref-lib1
Shea’s Hippodrome – 440 Bay St., Toronto

When Shea’s Hippodrome opened in 1914 it was Vaudeville theatre in Canada was was quickly deemed one of the top 4 in North America. Sadly, this colossal beauty had a short life;  the Hippodrome was demolished in 1957. For an interesting story about its very unique and very expensive Wurlitzer Organ, check this out.


2. The Standard (The Strand, The Victory, Victory Burlesque)

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The Standard – Corner of Spadina & Dundas, Toronto

The Standard opened in 1921 as a Yiddish theatre and remained a centre of Toronto’s Jewish community until it was converted to a cinema in 1934 and renamed The Strand. In 1941 it was rebranded again, this time as The Victory, part of the Twentieth Century Theatre chain. In 1961 it became the Victory Burlesque, one of only 3 burlesque houses in the city. While the building still remains, the theatre closed its doors permanently in 1975.

3. Shea’s Victoria

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Shea’s Victoria – 83 Victoria St., Toronto

 

The Shea Brothers opened their second theatre, Shea’s Victoria, on the corner of Richmond and Victoria in 1910. This 1800 seat theatre included a projector so that films could be screened in addition to live theatre performances.

4. The Uptown

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The Uptown Theatre – Corner of Yonge & Bloor

Loew’s Uptown Theatre opened in 1920, a 3000 seat sister theatre to The Pantages (currently the Ed Mirvish Theatre). This one as well was created for both cinema and Vaudeville. In 2001, new regulations required the theatre to become wheelchair accessible, something that would have cost about $700 000. Despite community outcries, the theatre was demolished in 2003. Sadly, the ill-advised removal of a structural beam lead to its accidental collapse and resulted in the death of a 27 year old man.

5. The Belsize (Regent, Crest)

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The Belsize – 551 Mount Pleasant Road, Toronto

The Belsize Theatre opened in 1927, another venue for theatre and film. Unlike many on this list, The Belsize didn’t turn from live theatre to film, but the other way around. In the 1950s the only theatre of note showing live theatre was The Royal Alexandra (who showed primarily American shows and tours) and many felt that a place was needed to showcase Canadian theatre. In 1953 the venue ceased showing films and was renovated and reopened as The Crest, a live theatre venue. In 1971 films began showing again and in 1988 it was again renovated and reopened, this time as The Regent, a movie theatre that still stands today.

6. The Runneymede

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The Runnymede – 2225 Bloor St. West, Toronto

The Runnymede Theatre opened in 1927 as an “atmospheric Vaudeville”house, the first of its kind in Toronto. The venue was meant to make you feel as though you were transported to somewhere magical and exotic; the ceiling was painted blue and bulbs were lit up like stars, silver and blue lights were projected to give the feeling of clouds. By 1999, the theatre was no longer profitable, even as a 2-screen cinema. The building was purchased by a Chapters Bookstore, and in the conversion they kept and maintained much of the interior. Today, it is the location of a Shoppers Drug Mart, and while it still features much of the original trim and interior facade, there’s something very sad looking about its current appearance.

7. Capitol Theatre

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The Capitol Theatre – 2492 Yonge St., Toronto

The Capitol opened in 1918 and showed Vaudeville acts and silent films. By 1933, the theatre was converted to show only films. The theatre closed its doors in 1998 and remained empty for several years, before finally being purchased, undergoing major renovations and reopening as The Capitol Event Theatre. While the seats were removed and a bar installed, much of the original ornate interior remains, much like it does at the Runnymede.

8. Academy Theatre

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The Academy – 1286 Bloor St. W, Toronto

The Academy opened in 1914, a smaller venue than most on the list with only 410 seats. It’s not known when exactly the theatre stopped showing Vaudeville acts, or when it stopped operating as a cinema, but it is likely to have occurred sometime after the 1960s. The venue still stands, though has not operated as a theatre in years.

9. Variety (Arcadian) Theatre

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The Arcadian (formerly Variety) Theatre – 8-10 Queen St. East

I have significantly less information on this theatre, but it housed in a building built in the late 1880s, and was likely built before the 1920s. In the late 1920s its name was changed to The Arcadian, and it seems that by the 30s it was a cinema and no longer live venue. The theatre closed in 1954 and for some time had a retail show that used the old sign. However, it has since been demolished.

10. Madison Theatre (The Midtown, The Capri, The Eden, Bloor Cinema, Hot Docs Cinema)

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The Madison Theatre – 506 Bloor St. W, Toronto

The Madison has had more renos and new names than most on this list. It originally opened in 1913, an early Picture Palace that also featured Vaudeville acts. In 1940 it was demolished and rebuilt as The Midtown, a cinema; all that remained of the original building were the two side walls. Movie attendance declined in the second half of the 20th century, and in the 1960s it was under the new management of the Famous Players chain and renamed the Capri. In 1973 it was again re-branded, this time as The Eden, and the theatre switched from playing mostly double-bills to a heavily censored “adult”films. Come 1979, Famous Players closed The Eden and re-opened it as The Bloor Cinema, now offering first-run, family-friendly entertainment. Soon the theatre introduced memberships and classic theatre runs, and eventually became a part of the Festival Theatre circuit. In the late 2000s the theatre had a bit of an uncertain future (read more here), but eventually it was bought, renovated, and re-opened as what it stands as today; The Hot Docs Cinema.

Think we missed some important former Vaudeville theatres? Tweet us your suggestions; @BygoneTheatre #VaudevilleRevue

Want to learn more about Toronto’s theatre history? Check out this amazing blog, where I sourced a lot of our material; Historic Toronto.

We may not have a Vaudeville house to perform in, but we’ll have historic acts on our stage and artifacts and more history like this in our lobby; join us for Vaudeville Revue, June 22-24th, Alumnae Theatre. Tickets on sale now.

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Vaudeville Revue – June 22-24, 2016

Performer Spotlight: Mentalist/Magician Leigh Beadon

Another classic staple of the Vaudeville stage was the illusionist or magician. Harry Houdini, one of the greatest illusionists of all time, first gained attention as “Harry Handcuff Houdini” performing in the circuit. He became famous for his daring escape routines. Howard Thurston was another star of the stage, becoming the most famous magician of his time and travelling with an act so large it needed 8 train cars to transport it all. Alexander, also known as the Crystal Seer, was a renowned mentalist  who claimed to possess telepathy, and would read the mind’s of the audience members on stage. For our revue, we are lucky to have the talented Leigh Beadon, who, like Alexander, focuses primarily on mind reading and prediction.

Leigh Beadon is a mentalist and magician who performs live experiments in mindreading, prediction, suggestion and other impossibilities. Some people (wrongly) call him a psychic, and audiences at the Storefront Theatre where he performs monthly have branded him a witch. 

Want to see Leigh Beadon’s act? Get your tickets to Vaudeville Revue now, online.

Performer Spotlight – The Vintage Taps

You can’t really have a Vaudeville show without some kind of tap routine. Hoofers have been a big part of Vaudeville since the early days, with notable performers like Bill “Bojangles” Robinson, The Nicholas Brothers and Eleanor Powell.
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Our revue features a jazzy trio of ladies; Trina Josdal, Amy Lintunen & Geneviève Fullerton. Check out their facebook page to see some of their past performances.
BIO: The sensational Vintage Taps will whisk you back to an era where chorus girls and swinging jazz beats were the trends on the streets.  Inspired by both Broadway and rhythm tap dancing, their fast feet and delightful personalities have been dazzling audiences worldwide.  These dynamic ladies have enjoyed tapping their way across numerous European countries, China, the United States and their beloved Canada.  Collectively, the Vintage Taps boast an impressive resume including productions of 42nd Street (producer – Mark Bramble), Hair, Cabaret, and Dancing Damsels with appearances at the Montreal Tap Festival, Pan Am Games, CP24 Breakfast Television, MTV Canada, PRIDE Toronto, and the Toronto Fringe Festival.  Vintage Taps will make you smile and leave you with a toe-tapping rhythm in your heart.