Top 5 Vintage St. Patrick’s Day Songs

Looking for some classic tunes to accompany tonight’s festivities? We’ve got you covered. Here’s our top five vintage songs that are perfect for a Patty’s Day celebration.

1. The Wearing of the Green

While there are dozens, if not hundreds, of renditions of this 1798 Irish ballad, we’re personally partial to this 1940 version by Judy Garland. The tune laments the oppression of the supporters of the Irish Rebellion, and as such is an important bit of history for anyone who wants a true understanding of the wearing of the green. The jazzy score and silky voice of Miss Garland keep the song from being too dreary, making it a perfect addition to our list.

2. When Irish Eyes Are Smiling

Originally published in 1912, it became famous during WWI when recorded by John McCormack. We like Bing’s sultry version, recorded in 1939.

3. It’s a Long Way to Tipperary 

You can’t have an Irish song list and not include one by John McCormack. This is another song that was first recorded during WWI, and became popular again during the second World War.

4. Danny Boy

While the lyrics to this ancient Irish melody also originate from the first World War, you would be hard-pressed to find someone today who isn’t familiar with it; more than maybe any other on this list, it has proven to have a lasting popularity, and has been covered by everyone from Elvis Presley to Johnny Cash. We chose this Jim Reeves version as we think it incorporates the more modern (eg. mid century) style we like with the classic tune, beautifully.

5. My Wild Irish Rose

And finally, another Irish folk ballad, here sung by the charming Connie Francis.

Have a safe and happy St.Patrick’s Day!

 

Advertisements

Hollywood During WWII

With Remembrance Day around the corner we’d like to share some WWII facts about Hollywood and the stars who helped the war effort. While many stars performed for the troops and helped support their country by selling war bonds, some had more notable achievements that have been largely forgotten over the years.

Marlene Dietrich

Marlene Dietrich

Marlene Dietrich

German-born performer Marlene Dietrich was a staunch anti-Nazi who became an American citizen in 1939. The outspoken actress was one of the first stars to start selling war bonds, and is said to have sold more than any other. She refused multiple requests to return to her native country and instead performed for American troops, sometimes dangerously close to enemy lines. She was awarded the US Medal of Freedom in 1945 which she said was her “highest honour”.

Hedy Lamarr

Hedy Lamarr

Hedy Lamarr

Actress Hedy Lamarr is mostly remembered for her stunning good looks, and for her risque nude scene, but the Austrian born actress contributed much more than pinups to the  Allied war effort. Along with the help of George Antheil, an Avant Garde composer, Lamarr created a device that could prevent the enemy from throwing their torpedoes off-course. By utilizing a piano roll to unpredictably change frequencies, they made it nearly impossible for the enemy to scan and jam frequency signals. This frequency hopping spread-spectrum invention would become the basis for modern technologies such as GPS and Bluetooth.

Mel Brooks

Mel Brooks

Mel Brooks

Comedian Mel Brooks was drafted into the army and served as a corporal combat engineer. In addition to fighting in the Battle of the Bulge, Brooks had the nerve-wracking task of diffusing land mines. Always a comedian, he kept up his fellow soldiers spirits by broadcasting Al Jolson music over the loud-speakers in response to the German propaganda playing (Jolson, like Brooks, was a Jewish performer).

Josephine Baker

Josephine Baker

Josephine Baker

Born in St.Louis, Missouri, Josephine Baker moved to France in the 1920s and became enormously popular. During the war Baker served as part of the French Resistance, working as a secret informer and smuggling messages written in invisible ink on her sheet music. Upon her death in 1975 she was buried with military honours.

Jimmy Stewart

482px-Jimmy_Stewart_getting_medal-e1282911945287Jimmy Stewart was eager to join the war effort and reapplied after initially being rejected due to being underweight. While initially his star status delegated him to tasks such as paperwork and making training videos, Stewart pushed for the chance to see combat and in four short years moved up the ranks from private to colonel. Stewart flew a B-24 into German and for his bravery twice received the Distinguished Flying Cross; three times received the Air Medal; and once received the Croix de Guerre from France. After the war, Stewart remained a part of the Air Force, reaching the rank of Major General (two star general) after 27 years of service.

A Brief History of Women’s Hats, 1900-1960

My Mother and I recently signed up for the Millinery course at Stratford Off The Wall, the place where I took my Faux Food class this past September. Over the course of the week, we will learn how to make either fascinators or buckram or soft-form hats. As the two of us do all the costuming for Bygone, I thought I should look up some authentic period pieces for inspiration, in hopes I can make something for a future show. There are so many styles of hats that were seen during the first half of the 20th century, that I decided to put together a very simple, very brief history for any other costumers out there who need a quick reference guide. Hope it helps!

1900’s
In the early Edwardian period, hats were a fashion accessory, rather than a necessity. Most were kept fairly small, sitting on the top of the head atop a pile of hair. More masculine styles had begun to emerge during the 1890s, and some of these were still popular during this period. Women were seen wearing traditionally male styles such as the “Boater” or “Trilbys”. Bonnets had grown out of style, and women preferred hats that soared above the head, sometimes called “3 Story” or “Flower Pots”.

1910’s
During the 1910’s, hats began to grown again in size. The brims grew increasingly large, often reaching past the wearer’s shoulders. To keep these large pieces steady, hat pins, sometimes over a foot long, were used to secure them to the hair. Large plumes and floral pieces adorned hats of this period. During the First World War, however, hats began to decrease in size, fitting closer to the head and sitting low-down on the face, giving the woman a youthful appearance. Hats became more plain, as it was seen as unpatriotic to be concerned with ones appearance during this time.

1920’s
Continuing the trend of the previous decade, hats continued to get lower on the brow and closer fitting on the head. The “cloche hat”, a bell-shaped piece that covered the wearer’s head almost entirely, became a staple of the period. Rather than tall feathers or blooms adorning the hats, design was seen through elaborate detailing in shape, with felt molded into waves and curls. Most hats of the period, particularly later in the decade, did not have brims.

1930’s
The 30’s saw the re-appearance of brims as well as a shallower crown to accommodate the full, curled hairstyles that were popular in this decade. As parasols were now out of fashion, wider brims became popular to protect the wearer from the sun. Towards the end of the decade, hats became taller and were perched on the top of the head, similar to the way they were in the early years of the century. Women’s fedoras (traditionally a male style) also became fashionable when paired with a tailored suit.

1940’s
World War II shaped the look of 1940’s women’s fashion. Because of rations, clothing was often utilitarian looking and closely fit, using as little fabric as possible. Hat materials, however, were not rationed, and so the decade saw the emergence of a wide variety of hat styles, overly adorned and frequently elaborate. Feathers, veils, and artificial flowers graced the tops of wearer’s heads, and the term “piece de resistance” or “resistance piece” implied that the fashions were in a way patriotic, and in protest to the Nazi occupation (a very different outlook than that taken during the First World War). “Doll Hats”, similar to some styles seen in gothic fashion today, were also worn. They sat a-top the wearer’s head, very small and very far forward on the brow, reminiscent of some Victorian styles. The turban was another look, one that covered all or most of the woman’s hair, and that was pulled up into a ‘v’ at the front of the brow; sometimes coined “v for victory”, once again connecting fashion with patriotism.

1950’s
Post WWII saw a decline in the popularity of hats as many women chose to now leave the house without them. In an effort to keep afloat, the millinery industry began to create variety and extravagance, making hats the “must have” piece to top-off a formal outfit. While most hats remained close to the head, “pancake” and “cart-wheel” hats, wide-brimmed, flat pieces that perched atop short hairstyles were also popular.

1960’s
The 1960s saw a greater decline in the wearing of hats, although the popularity of Jackie Kennedy made the pillbox hat extremely fashionable for some time. The decade’s higher, fuller hairstyles meant that hats needed to be small and sit on the top of the head. Fashion in the 60s was increasingly geared toward youth, and so hats began to be viewed as a thing of the past. Towards the end of the decade, hats as a daily accessory, except during the cold months, were nearly extinct. Brief re-emergence’s have been seen since then, but for the most part, the hat as an everyday accessory died out in the 1960s.

E.

 

Sources: http://vintagefashionguild.org
Google Search